Optimizing TNT, Triplanar, Transfiguration Temper


I'm writing because of a combination of frustration and potential in my turntable set-up. I have never gotten the sound from the system that I expected, but feel that I am beginning to glimpse the potential of achieving it. I have made some changes recently that have led to more changes that have brought me closer to what I have heard from other systems with similar components. I am hoping someone can guide me toward finally obtaining the basic qualities that I'm looking for and I can fine-tune from there.
What I have heard before from lesser components and am not getting is the sound of the transients jumping off the record. I thought this problem was merely from the characteristics of the Transfiguration Temper Supreme, but with some modifications of the table I am beginning to hear it and wanted to see if I could bring it out further.
Let me back-track and tell you my components and what modifications I have made so far. I am running a VPI TNT upgraded to 4 (w/ the rectangle cutout for the motor), with the original motor and just added an SDS (which made the biggest improvement), a Wheaton Triplanar tonearm upgraded to VI, and a Transfiguration Temper Supreme cartridge.
When I upgraded to the SDS, the timing and solidity of the sound improved dramatically. I then found that using a single belt directly from the motor to the table actually outperformed the three-pully design originally designed for the table, perhaps with some trade-offs, i.e. voices sound clearer and better-defined, but piano may have a little less air and realism.
Finally, the table sits behind the speakers, particularly the left speaker. Moving the speaker forward a few inches seemed to significantly clean up the sound, so vibrations from the back of the (B & W 803) speaker may be muddying the water. My other components are Spectral DMC-20 and DMA-180 and MIT/Spectral reference cables.
Like I said, I am glimpsing the potential of this setup, and the music is starting to clean up and jump off the record, but it's just not quite there. I feel like I'm missing something simple and would like advice before making a lot of changes. I think I've set the cartridge up properly with regard to alignment, azimuth, VTA and no anti-skate. I have not removed the damping trough yet, and that is the next thing I was thinking to try. I am planning to try to further isolate the table from the speakers - the cable lengths prevent me from totally moving the preamp and turntable. I was also considering using different belts or string/dental floss etc. Another possibility is investing in a single-motor flywheel, which also would not use the three pulleys included with the TNT turntable. But, I feel that there is something simple and straightforward with the front-end that I am missing. Any advice?
128x128ctlphd

Showing 1 response by atmasphere

Ctlphd, cartridge loading is indirectly related to the impedance of the cartridge. If you have a low output MC, the loading has to do with the inductance of the cartridge and the capacitance of the cable, and whether or not your preamp is sensitive to RF.

IOW, the loading does not do anything at audio frequencies. It affects radio frequencies instead. The inductance of the cartridge and the capacitance of the cable form a tuned RF circuit. The resistive load is used to reduce the effectiveness (Q) of this circuit. Once set to the right value, there will no longer be any bursts of RF energy applied to the input of the phono section.

A typical loading value BTW, will be about 10x the impedance of the cartridge, but this should only be considered a starting point.

Now if the phono section does not care about RF, you will hear hardly any difference with loading other than volume.

From what I have seen here it would be a very good idea to get more distance between the speaker and 'table. I would expect the Spectral to allow for some fairly long cables without too much trouble.