Chuck here and what Sam has discovered is the vestigial remnant of the Mothership that first came to Earth and forgot to come back for the landing party. They were forced to intermingle their DNA with ours, traces are still there, one of them being the affinity for the Mothership wavelength. Few of us today uncover the engrams and figure this out. Fewer still live to tell the tale. Because there wasn’t just a Mothership. The real reason they died out was the Othership. Be careful, Sam. The Egyptians knew, and look what happened to them. All gone. Be very very careful.
I read 81Hz for the King's chamber, but there was no mention of the meter used (Radio Shack w/o correction?) or of any room/chamber treatments that may have been added/installed.
I sometimes wonder if GuitarSam is really Ray Stevens/GuitarZan goofing us.
Love Ray and Sam seems to be cool too.
Sam here and after further investigation it apears that the pyramid of giza resonates multiple frequencies so 81hz is one of those frequencies so DeKay is correct. with the sarcophagus within the kings chamber resonating at 438hz https://oursounduniverse.com/f-what-is-it-all-about/ and the kings chamber itself sesonating at F#.Using this frequency chart https://pages.mtu.edu/~suits/notefreq438.html lf A = 438hz then F# would be 368.31hz rounded up to 369hz.The overall resonate frequency of the great pyramid of giza is 33hz.My testing continues as i don’t believe i have found the true frequency and as good as 369hz is i believe the true frequency will be almost 3D like in it’s sound quality.
Here's a quick anecdote about the Grateful Dead, their shows at the Giza Sound and Light Theater, played at the foot of the sphinx and the great pyramids in 1978, and their sound man trying to harness some of that kings (echo) chamber magic (as well as one of the shows taking place during a lunar eclipse. They say that by the third show, more Bedouins emerged from the desert to watch the shows than there were deadheads present.
The concerts played with time and space, as Egypt itself is timeless. The mass of the Great Pyramid warped local dimensions. The vast, ancient structures with which the music of the Grateful Dead attempted to come into phase and alignment hosted us in silent grandeur. We tried to draw them into the music by using the King's Chamber deep inside the Great Pyramid as an echo chamber. Dan Healy set up a radio link from a PA tower to the corner of the Great Pyramid, and from there John Cutler had run a 2,000-foot length of wire up through the Ascending Passage and the Grand Gallery to a speaker in the King's Chamber. A microphone picked up the sound and sent the feedback to the radio relay and thence to Healy's mixing console.
Throughout the first set on September 16, I traveled back and forth between these locations, facilitating communications. Courtenay Pollock, original Grateful Dead tie-dyeist, "om-ed" in the Sarcophagus. Ultimately we failed to make the connections work, and the Great Pyramid remained a silent witness. Some said that a genie had bamboozled us; others that the wiring was cheap and flawed. But as I went back and forth from the stone silence of that inner chamber to the festive panorama of the concert, I felt an enhanced connection to the music of the spheres.
It helped that the full moon was in total eclipse, a cosmic event unforeseen when the MIDS booked the concert dates six months before. But such entrainment was the order of the day, for another event was taking place. The Camp David peace talks between Begin and Sadat, which had been in secret negotiation mediated by President Jimmy Carter, were even at that moment reaching agreement, and on the following day, September 17, the historic Peace Accord between Israel and Egypt was signed. To have found ourselves simultaneously in tune with cosmic and worldly events at the Great Pyramid was a humbling experience.
Great post mike_in_pa after further research and testing i came across an article about how the great pyramid of giza when tested resonated at 33hertz for the entire pyramid.also the queens chamber which sits directly below the kings chamber is a perfect octave above the F# 369 hertz frequency of the kings chamber and when i ran test on the 33hertz frequency it is 100% superior to the 369 hertz frequency and comes closer than any other frequency i have ever tried up till now to replicate the sound of analog cut vinyl. http://u.pc.cd/cfdrtalK
guitarsam- that's a great read and certainly piqued my lifelong interest further.
mhmeyers- we are everywhere indeed. I was also a lucky one to see them, more shows in cali than any other state, and more oakland coliseum shows than at the my hometown philly spectrum (saw everyone from 9-9-88 through 94)
And- that last show on 7-9-95....I left my home before I received the ticketmaster tix, assumed they were at willcall, not the case, but after they verified my story i was issued an entry voucher. Upon arriving back home after the tour I had an envelope waiting for me. So- I still have the voucher and unused ticket. I reckon it'll be worth at least face value someday, but sentimentally 10x the face value.
Nice to chat, this seems like a nice place with lots to offer, i can hopefully contribute.