New TT ideas please


I'm doing a major upgrade to my system with the new electronics likely to be Audio Research REF3/110/PH7 (though may be PH5 in the interim)/Verity Parsifals. My Roksan Radius 5 is going to find a loving home, but I need some ideas of what to look at. Here are a few that appeal to me visually and reputationally, and a few that I've heard (all similar $$ roughly, budget seems to be about $6-$7.5k for table and arm):

1. Clearaudio Ambient (looks simple to setup and use), unify arm
2. Rega P9 with the 1000 arm (again, simple setup)
3. Michell Gyrodec or Orb (with the acrylic platform and cover)
4. Transrotor Atlantis with Origin Live tonearm
5. Redpoint turntable (a long shot) - looking for opinions

Excluding VPI, what else should I consider? I would like a company with a long standing history (Redpoint is questionable on this front), excellent build quality, not too finicky, sounds lively, involving, quiet background, controlled and detailed. I don't mind a touch forward, as I think the rest of the system could use a slightly forward source. Simplicity is preferred - I don't want to have to adjust things too often or it won't be used.

I have a fascination with Koetsu cartridges, so I want a TT that would suit an Urushi / Rosewood Signature cartridge. I also think transrotor is interesting, but their web site confuses me (only 3 models? I thought they had many more).

I will try my very best to hear them so what I'm asking is your best ideas and a little brain storming. I will only buy what sounds best to me and works with my system - no question about that.
hatari

Showing 3 responses by dan_ed

I'll second the Galibier and also admit to being biased. I'll also through in a recommendation for Teres. I've not heard a Red Point but I'd guess it would be almost a good as Galibier. :)

I've owned several Basis tables which are similar to Clearaudio. The three tables above are a much, much better bargain in my opinion. Forget any table that uses a rubber belt or fishing line for driving the platter. My $.02.
Hatari,

A musician friend of mine introduced me to some of the African jazz music. Abdullah Ibrahim, Dudu Pukwana, Louis Moholo, Chris Mcgregor, Wintson Mankunku, Sipho Mabuse. Really enjoyable music. I think much of it would be hard to find here in the states.

Good luck with your table search.
Pauly, while I agree with you that there are very well implemented suspended tables I think you have overstated a few things to make your point.

The platter is directly coupled to the plinth via the bearing, unless the bearing is of the magnetic/air type. The plinth on suspended tables are not directly coupled to the stand, but rather floating on the suspension. If there is sufficient drag on the platter during dynamic passages there actually could be a rotational twisting reaction on the platter/bearing/plinth as well as the drive. I do believe most higher quality suspended designs have addressed this to the point where you would probably not hear it.

As for thumping a non-suspended table and making the cartridge fly, I can tell you that that is much easier and more likely to happen with a suspended table. That is exactly the reason I moved from suspended a (Basis) to non-suspended (Galibier) table. It is not the first moment of impact that caused the stylus to jump. It was the second moment when the suspension jerked back to the steady-state position that the stylus left the groove because it wanted to keep going in the original direction of motion. Bodies in motion tend to stay in motion unless. . . yada, yada.

We can all look around and find good and bad implementations of both approaches. I don't think it is so easy to dismiss either when the implementation is well done. I still have a high regard for Basis tables but there are some things I would never try to do with any suspended table. Like adjusting VTA and AS while the stylus is in the groove. I realize this isn't important for everyone but it was for me. Lucky for me that I'm in a position that I don't have to have a suspended table.