Music to take to an audition


I’ll never forget hearing flagship Infinity speakers in Alaska in the late 70’s. That experience put me on a path that I have been traveling on ever since. To this day, I remember the music they played at the time.....Toccata from Mannheim Steamroller’s Fresh Aire III album. That quickly became a yardstick for me and I still listen to that same Fresh Aire track when I evaluate new equipment.

It is important to have a fairly small set of diverse music selections you are very familiar with and have hopefully been able to hear on the best of systems. The music should not just be challenging to the equipment and listening room but also something you enjoy listening to.

I would be interested in what other people use to evaluate prospective components and why. Here are a few of my selections:

America-America-Donkey Jaw. (Great acoustic guitar, dynamics and holographic soundstage)

Mannheim Steamroller Fresh Aire III Toccata (Great recording, deep base notes with synth highs floating above)

Graham Parker-Another Grey Area-You Hit The Spot (Tight clean base control, holographic soundstage, nothing beats Graham Parker rhythm)

Tchaikovsky 1812 Overture on Telarc (A challenging recording for every piece of equipment in the chain, particularly the analog front end. Watch out for the cannon blasts!)

Badfinger-Straight Up-Baby Blue. (If you can get this right say no more)

ligjo

Showing 1 response by musicaddict

Rebecca Pidgeon, Rose in Spanish Harlem (from The Raven)
Diana Krall, Errand Girl For Rhythm (from All For You)
Pat Methany, Into the Dream (from Imaginary Day)
Chet Atkins/Mark Knopfler, Poor Boy Blues (off Neck and Neck)

These are a few of the selections I used to use years ago as I knew them extremely well and on many systems at shows, and that helped me when critically listening.

And yes, many of us recognize there are plenty of variables in auditioning. That's why most of my electronics lived at home before being purchased.  But when you cannot, I have no idea why you'd want to listen to music that you are unfamiliar with while auditioning. For me, at least knowing the music removes one of those 50 other things...