Forget the rags mentioned above, even TAS, they all stink. Their purpose is to make you fell insecure so you will spend more $$ upgrading your systems on and on and on. They exist for the manufacturers. How do you think Audio Reserach became so popular and profitable; wasn't A.R. HP's personal choice for amps and preamps? Listen to your ears. Read Vacuum Tube Valley, Glass Audio or SpeakerBuilder to understand why equipment sounds the way it does. Also read Walt Benders short quips in Audio Mart, this man knows what it has been all about.
Most Honest Audio Magazine?
I subscribe to Stereophile and I really enjoy reading it but something happened last year that made me raise an eyebrow as to the authenticity of their intentions. Remember the review of the B&W Nautilus 805's? The original reviewer raved about them and rated them "Class A Restricted Low Frequency". Shortly thereafter they demoted the same speaker down to "Class B Restricted Low Frequency". This really hurt the magazine's credibility in my eyes. My first conclusion was that they didn't want to upset the other manufacturers who produced "Class A" products at far higher prices. Shouldn't a trade journal give credit to the truly remarkable products especially when they are produced for relatively decent prices? It's unfortunate that the advertising dollars of the megabuck manufacturers bullied a stellar product into receiving a less than stellar final rating. I'm wondering if this hasn't happened before. I've since heard from some of my audio buddies that corruption does indeed exist in the audio press; everything from reviewers being related to manufacturers to reviewers being offered products for a song (pun intended). Please share your thoughts and experiences when it comes to audio magazines and let me know which ones you'd rate best and worst. Putting together a great system is hard enough without having to sift through the sometimes suspicious advice of those publications who purport to advance the hobby.