Most high-quality loudspeakers are 4-Ohms


Is it true?
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Showing 2 responses by audiokinesis

Putting on my speaker designer hat for a moment, if I have the option of allowing the impedance to drop to 4 ohms (or below) I can often get a bit more bass extension out of a speaker, and/or use more aggressive equalization.

On the other hand as long as they're not pushed into clipping, I think most amps sound better with an "easy" load (even if the amp is capable of driving a very difficult one). Neither the "nominal impedance" nor the "minimum impedance" tells the whole story, but rather the impedance curve plus the efficiency need to be examined in the context of the application.

My personal preference is to err in favor of amplifier compatibility, as some of the best-sounding amps are fairly load-sensitive.

Duke
dealer/manufacturer
A solid state amp will put out less power maximum power into a 16 ohm load, which of course is an issue if the amp may be pushed into clipping. But if the amp will produce adequate headroom into a high impedance load, in my opinion there's a valid argument in favor of relatively high impedance speakers.

If you look at the distortion curves published by Stereophile at 8, 4 and 2 ohms, you will see that below the onset of clipping the distortion is usually lower into a high impedance load. Due to a psychoacoustic phenomenon called "masking" the distortion at low power levels is of considerably greater subjective consequence than distortion at high power levels, so you want to focus on the low-power end of the distortion curves (again assuming you're not driving the amp into clipping). Personally I'd like to see what's happening down at the milliwatt level but that information isn't given.

Let me just comment that THD measurements are not reliable indicators of relative sound quality from one amp to another, as design choices that minimize THD are often counter-productive from a subjective standpoint (small amounts of high, odd-order distortion are far more audible and objectionable to the ear than are very large amounts of second harmonic distortion; in other words, the industry is meauring with the wrong yardstick). But THD measurements made on the same amplifier under different load conditions are reliable indicators of relative sound quality because they tell us how close to ideal that amp's performance is into that load.