Mono recordings - two questions...


1) While I have been an analog fan since the 70's, I never ventured into mono recordings... from an audiophile perspective, how does one listen to mono recordings?  For example, does 'imaging/soundstage depth' matter and is it accomplished through a well-mic'd mono recording?  Obviously tonal balance, impact, resolution are all qualities that should shine through...

2) Would appreciate recommendations of well recorded MONO LP's -- recently bought a Julie London LP in mono it sounded surprisingly nice/natural... not so hot as many later stereo pop recordings...  my musical preference would be for vocals in pop, jazz and soul/r & b realms... in modern artists I would equate these to Diana Krall, Gregory Porter, Adele, Kurt Elling, Sam Smith, M Buble etc etc - 

Thanks in advance
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Showing 1 response by intactaudio

 The modifications can be as simple as internal summing of connections, or as complex as reorienting the pair of existing stereo coils.  With either (or both) the cartridge still responds to and generates a signal from vertical content which can potentially affect what is heard by the listener.

as for current mono options, I agree that the summing will pick up and attempt to offset any vertical content but if the coils are oriented so they are in the lateral and vertical plane and only the lateral ones are used then I do not see any pickup of the vertical info.  The one big difference found in "vintage" mono pickups is there is little vertical compliance which is the origin of the rumors that playing a stereo record with a mono cartridge will surely destroy it.  I am not aware of any recent manufacture cartridges that fall into the "lateral compliance only" category.

dave