Had a long conversation with the Mogami distributor in California. I was quite surprised, because I only wanted 100 ft. of cable. Anyway, he liked telling stories.
According to him, "most" studios use Mogami, but not the 2534. He says some years ago there was a big switch-over to Mogami 3173. It's a balanced 110 ohm cable that Mogami recommends for both analogue and "long distance AES/EBU digital."
I use Mogami 3173 as well as DH Labs Pro Studio and Neotech NEI-3004. Doubt I could tell the difference, whether for balanced or single-ended.
[FWIW, I use big solid-state amps of 100-400 wpc (Ampzilla 2000, B.A.T., MC2, McCormack), and high sensitivity professional studio monitors (TAD TL-1801/TL-1603/TD-4003, Tannoy "System" series) with Mogami 3104 speaker cable (4 x 11.5 AWG) in a 28 X 27 x 18 ft. space.]
According to him, "most" studios use Mogami, but not the 2534. He says some years ago there was a big switch-over to Mogami 3173. It's a balanced 110 ohm cable that Mogami recommends for both analogue and "long distance AES/EBU digital."
I use Mogami 3173 as well as DH Labs Pro Studio and Neotech NEI-3004. Doubt I could tell the difference, whether for balanced or single-ended.
[FWIW, I use big solid-state amps of 100-400 wpc (Ampzilla 2000, B.A.T., MC2, McCormack), and high sensitivity professional studio monitors (TAD TL-1801/TL-1603/TD-4003, Tannoy "System" series) with Mogami 3104 speaker cable (4 x 11.5 AWG) in a 28 X 27 x 18 ft. space.]