Modern High end vs. old receiver


So I recently sent in my Aesthetix Janus in for a capacitor upgrade, which leaves me without a pre-amp. In desperation for a little music, I brought in my the Kenwood Kr-3090 that I inherited from my grandmother and have been enjoying in the garage. 25W, made 1978-1981 or so. Damn thing sounds almost as good my Aesthetix Janus and Audio Research VT-100 MkII. Now don't get me wrong, there's a difference, but I can happily sit and listen and fully lose myself in the music.

I am using Acoustic Zen Adagio speakers, which work well with low-powered electronics, as evidenced by Robert Lee's matching them with Triode corporation tubes at the shows. I'm also using my standard front end - Oppo BDP-83 with Brystond BDA-1 and Acoustic Zen Absolute cables. Still.... jeez, it's unreal how much better it sounds than some of the other high-end gear I've had in here.

My learning from this is that the source matters, and you should not look askance at equipment just because it is old or inexpensive.
128x128darkj

Showing 3 responses by almarg

A point to keep in mind is that the better the quality of the source MATERIAL, the more apparent hardware differences will become, at least upon direct comparison. The inverse, of course, is also true.

Don't know how relevant that may be in this case, but it seems worth noting.

Regards,
-- Al
That's interesting, Peter (Csontos), and somewhat surprising to me. I don't make any special claims for my hearing, but it has always been my experience that if a garbage recording is reproduced as Garbage A by one component, and as Garbage B by another component, the two garbage reproductions tend to be harder to distinguish, and certainly harder to judge as to which is more lifelike, than if a great recording is reproduced by the two components as Relatively Lifelike Sound A and Relatively Lifelike Sound B.

Basically, with a garbage recording the nuances that would otherwise distinguish their reproduction by the components being compared tend to be swamped by the inaccuracies of the recording. Which in turn makes any judgment about which reproduction is closest to the sound of live music pretty much meaningless, as the best answer is usually "neither."

Regards,
-- Al
Btw, you did say the inverse is also true. I'm a bit confused now as to what you were referring to there.
My original statement: "A point to keep in mind is that the better the quality of the source MATERIAL, the more apparent hardware differences will become, at least upon direct comparison."

The inverse of that statement: "A point to keep in mind is that the poorer the quality of the source MATERIAL, the less apparent hardware differences will become, at least upon direct comparison."
My statement regarding your ears was sincere.
Thank you kindly.

Best regards,
-- Al