Miyajima MADAKE experience

Latecomer to this post...

I own the Miyajima Madake and use it on an SME V arm. It replaced a Clearaudio Stradivari on which I broke the cantilever and then used as a trade in.

The Stradivari was a good high resolving cart but I never loved it. It could at times be a bit sharp. I borrowed a Koetsu Black from a friend and while that was all smooth I did, after an initial period of total infatuation, long for some treble extension.

With the Madake I get firm bass, good speed and detail resolution and smooth but extended treble. What more could I ask for?

My other favourite cartridge is the Cartridgeman MusicMaster, which is similar to the Madake in presentation but somewhat weaker in the bass and hence not as "muscular" in its presentation (the "budget" option).

I’m happy now, my quest for the perfect cartridge is over.

But then again, a London Decca for my Garrard 401 project could be fun...

@mhr1229 

My other favourite cartridge is the Cartridgeman MusicMaster, which is similar to the Madake in presentation but somewhat weaker in the bass and hence not as "muscular" in its presentation (the "budget" option).

That's interesting.
The Cartridgeman Musicmaster MI cartridge cost  £1,649.00 and looks similar to Grado cartridges. In fact the generator is Grado, but the stylus is different, they call it "Propriatery Line Contact". I've never owner Cartridgeman pickups, but i'm familiar with Grado house sound, the best i've heard is Joseph Grado's Signature model: Grado TXZ with very special stylus profile called "Twin Tip" (it was a $750 top of the line model back in the days) and probably better than current Grado cartridges of any kind, still cheaper than Cartridgeman.

I'll be surprised if Madake is close to Grado XTZ as you said it is close to Cartridgeman based on Grado MI generator. Hmm.  

Coming rather late to this thread. Along with a stable of SPUs (stereo and mono) and an Ikeda 9TT currently I have previously owned the Miyajima Waza, Shilabe and Kansui, as well as mono models Kotetu, Premium BE, 78 and Zero. (I still have the Zero and Premium 78 - to the chap with the Zero I would suggest running it at the top end of the recommended VTF range in a very heavy arm - I find no issue with detail vs quite a number of mono cartridges past and present).

Anyway the Madake .. this arrived a few days ago to replace the Kansui, and while I wouldn't say it's night and day it definitely offers something over the Kansui (as indeed the Kansui did over the Shilabe). First thing is its remarkable tracking ability this tracks any obstacle test and hasn't broken sweat with any music recording I've thrown at it. It is noticably better/easier than the Kansui in this regard.

It also has the Kansui's way with openness, naturalness and ease, turned up a notch. Back to back you might just think the hifi was having a good night - character is very similar to Kansui - but it's a good night that is consistent, and turned up a notch. It digs out a lot of detail too but not in a 'hifi' way that the Ikeda can seem to do at times. It has as before a lot in common with the top end SPUs, closest is probably the SPU A95 I heard recently.

I am running it on my EAR 912 at the '40 ohm' setting which I think is about 500 ohms at the trafo - slightly higher than the recommended 200 ohms which sounds fine, my '12 ohm' setting gives about that I think - but the 40 ohm setting is a shade more open, relaxed and spacious.

All this on an Ikeda IT345-CR1 tonearm/headshell, I haven't tried it yet on my Ortofon RMG309 Limited. I may get to that tonight.

Montesquieu,  First impressions are not always lasting ones. Especially with a phono cartridge that is itself changing character as it breaks in from new.  I would be interested to know whether your opinion of the Madake vs the Kansui persists over time.  Thanks.

Well is a year long enough to talk about experience?

My conclusion is that the Madake is the most natural cartridge I've ever had in my system (compared to Audio Note Io2, assorted high-end SPUs, Koetsu Red Standard and Sig, various Shelters, Dynavectors. Ikeda 9TT etc).

As I wrote above 'the Kansui's way with openness, naturalness and ease, turned up a notch'. Yup can't improve on that characterisation. Still only the A95 has approached it. I have moved the dial on the EAR 912 back from the 40 ohm setting to the 12 ohm one, raising the level of presence very slightly, but that's the only change of note in a year.

Having said that, don't know about in the US but in the UK Miyajima prices have increased substantially, as have rebuild prices. Not sure they are quite the attractive proposition as they were a year or two back.