Merlin super bam How to connect.


Hi, just purchased a used pair of Merlin mme, and I'm confused about how to connect the BAM'on my system;
I'm using a DAC, and transport, my preamp is Joulet electra 150mk11, dont'understand about tape loop, what is a tape loop and where is located on my preamp,
How many more sets'of I/C would I'need to make connection.
thanks:

regards:
juancgenao

Showing 4 responses by pubul57

Man, that is the best explanation I have heard. Thanks BRF. Bobby, I think that should be in the manual with pictures - maybe it is on the website. I suspect this is not clear to all users - I now know of at least two:)
Bobby, if someone were stupid enough to experiment with a passive preamp (me), would you expect the BAM to perform best between Source and Passive, or between passive and Amp. There is no issue of amp sensitivity, amp input impedance, or, with short Cardas GR, cable capacitance. I'll still have the Joule LA150 MKII Signature, and the Atma-sphere MP3, so I haven't gone native.
Jim, if you liked the RM9, you should here the RM9 Special Edition of which Roger only built 16, they are point-to-point, and it uses six [6] 6bq7s for the driver stage. I'm using the Siemens, and it puts out 162 watts into 8ohms and 200 into 4ohms - right, it actually increase power into lower impedance - not your typical tube amp. With all that power and the Merlin's sensitivity, I "light load" with four ohm tap on the amp which reduces power by 20%, but improve linearity, lowers distortion, and increases current on tap, it also runs the tubes alot easier. -Given, that, the RM10MK II at 1/5th the price is no slouch, believe me and it works wonderfully with the Merlins.

As for the passive, I have been vacilating between Bobby's view (he knows his gear) and Roger Modjeski who is a committed proponent of passive (resitor-based at that)to the point I think he believes the debate about active versus passive is silly, but that is what this hobby is all about, different strokes for different folks.

I going to give the Goldpoint a long audition, I would to be happy with something essentially trouble free, off the grid, and consistent. For my taste, the Joule and Atma-sphere preamps are about as good as actives as I have found, the Atma with Atma, and Joule with RM9s and RM10s. It maybe that at the end of the day, passives just won't do it for me, but for $312 I'm willing to listen:)
I agree. It is all about system building and matching between components, to the point where it come sometimes be a little misleading to even say what a particular tube sounds like absent any information of the circuit it is used in, I know the Roger's EL34 sound is different the CJs EL34 sound, so your left with the question, what does an EL34 sound like, and answer of course is, "it depends".

So I've been listening to the Goldpoint for a few hours, and without comparing at the this point, I would say that for $2,300 to get a Goldpoint ($312) and a Music Reference RM10MKII ($1950) you could pretty darn happy running a pair of VSMs. For $312, the Goldpoint, in the right system is "stupidgood". As good as the Joule or Atmasphere preamps? I don't know yet, but you would be surprised how darn good a $312 preamp can sound.