MC loading at 47K


Hi All,

Just after some expert advice from your good selves if I may. My current system is as follows:

Musical Fidelity KW550 intergrated amp which has a MM and MC section, both loaded at 47K. The only difference between them is the step up voltage.

My turntable is the Rega P9 with Ortofon Kontrapunkt A.

Looking at changing my cartridge but honestly cant decide between MM or MC.

My music taste are as follows:

Reggae
Soul
Female Vocal
RNB

No classical or jazz.

So what should I choose based I'm only limited to a 47K loading. I was thinking either of the below:

1. Ortofon Jubilee (MC)
2. Ortofon 2M black (MM)
3. Clear Audio Maestro (MM)

Is there a down side to loading up a MC so much?

Thoughts please...thanks
che13

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You have to try it. There is no Standard (unfortunately). The result will be different from Manufacturer to Manufacturer. Phonstage A with 100ohm will not sound identical to Phonostage B with 100ohm, same of course with 47kΩ...
You have to try it on your own, when you will find the best setting, fine. When you buy your next Phonostage, you can start the game again...
There are a few MC Phonostages out there which have excellent results- Speed, airy high frequency Aera, headroom, deep soundstage, holographic Body - with 47kΩ (Stan Klyne, CTC, Vendetta, Manley Steelhead...) but most will sound thin, harsh and lifeless at that Setting. Depends on Design.
At 47kΩ you can hear the cartridge the way it really is, pure, no damping (a kind of coloration), the more you go down, the more slow and dull it will be.
But most Audiophiles are not -really - mad for that. The reason is a compensation in their Hardware. A sharp, thin and agressive sounding System is unlistenable with such a non-load. The cartridge has to be dampened here, that the area of pleasant sound will be arrived. This is System depending. Here you have the reason why anyone will get different answers when he asks for a setting. Even when some have the same cartridge and the same Phonostage.
Unfortuantely to rate a component (a cartridge for example) on such unsafe conditions is like rolling a dice. Next is the Phono Cable, it also has a technical influence, but that is another story.

To design a good sounding Phonostage needs a lot of knowledge. To design a good sounding 47k MC Phonostage shortens this group dramatically. Even today.
It is difficult from shielding, influences, musical flow, high frequency raising, choice of parts and so on.
Those, who can‘t do it, always write, it is not optimal and recommend a lower value, those who can, write nothing about. Unfortunately the Audiophile doesn‘t get technical informations, he gets opinions instead. And after some time, these opinions are transformed into „facts“...

This discussion will never end, because most knowledge is buried, the average became Standard. For the customer is good, what he likes. So it is very rare, when a Dealer like Audiofeil opens his ears and hears a difference in Hardware AND knows why.

Btw. all Benz (and others) were made for 47kΩ, but they changed the description in the manual some years ago, too much problems for the dealers, too much time for explanations...now it is 100Ω-47kΩ :-)
I think, there is also some useful information at the website from Stan Klyne (www.klyne.com), he found the solution to do it right.