Maximizing My Turntable Experience - input reqeust


hey all,

i'm open to drinking the vinyl kool-aid and just purchased an entry-level audiophile Pro-ject Debut Carbon table that arrived last night.

My current setup:

Acram 135 DVD multi player
Oppo 105 BlueRay that i'm starting to load high res files onto to obsolete the Arcam.
Musical Fidelity A-5 Integrated Amp
B&W 804s

Im looking for that experience that digital cant provide. while there were moments of that during the initial listen, the majority wasnt there yet. the sound stage was not huge, but certain ambient room noises between the notes, and particularly acoustic guitar was awesome.

I havent completed the cartridge calibration yet so i'm hoping some good will come from that. Cartridge is Ortofon 2M Red.

the system exposed a very low hum that wasnt dependent on volume. i'm not quite sure what to expect from dropping a $400 player into a several thousand dollar system. fully aware of the weakest link theory.

any suggestions from your experiences?

cheers
128x128kevindh

Showing 2 responses by effischer

On the hum, ZD has good advice, but do the isolation drill. Disconnect the leads from the cartridge then the table to find which one is the culprit. It is possible the cartridge itself has a fault. You also should double-check your ground connection between the table and your outlet ground. Normally the ground lug on the preamp is sufficient, but ground faults can pop up in surprising places.

To find the magic, both Czarivey and Mr_M are correct. Get a good protractor (Pro-Ject makes one), a strong magnifying glass and verify your alignment is correct. It's a very fussy adjustment but makes a world of difference. Spend the time necessary to get it right.

Next, get record cleaning supplies. All records must be cleaned before every play, including new ones. Note that new records need a different kind of cleaning (mold release removal). Then find some material you like. A new record is usually best but not absolutely necessary. There are lots of great choices out there. Spin it and float away.

Congratulations, good luck & happy listening!
To clarify for Ray, I use a V8 ultrasonic on used records, LAST mold-release agent with a microfiber brush on new records and LAST cleaning solution with an old-school Discwasher brush for cleaning everything that hits my tables before the styli get near them. I brush the styli (always back-to-front of course) and use an agent on them before every play, too. That cleaning system has worked very successfully for me for over 30 years. Records I purchased new back then are still silent after even 100+ plays in some cases. My styli also remain clean and show even wear when examined annually under magnification.

Kevin, there are several threads on the merits or lack thereof of just about every kind of record cleaning regime imaginable here. You'll have to come to your own conclusions about methodology, but cleaning of some kind before every play is generally considered a must-do. Dust is especially evil.