Thx Eric I enjoyed that. He collects ATC speakers too.
Thanks Erik - Fantastic.

Thanks Erik - after that I’m not sure if I want to go play my guitar - or toss-it :-)

There are probably guitar players picking up tips from this video as I type

Very cool. Rather than being a "tour of his guitar collection", it is more an examination of musical playing styles, with a handful of his guitars used to demonstrate them on, and an explanation of what makes one guitar preferable or more suitable for playing a particular style.
I've been "playing" guitar now for over 50 years and I just gotta say that, at my very best, I couldn't even come close to Knopfler when he's just noodling around. Incredible!

He made it very clear, though, just how much determined discipline it takes to learn finger movements that are not at all intuitive.

Chet Atkins thought highly enough of Mark's playing to record an album with him. I love his guitar playing, but don't think much of his singing or songwriting. Being a great guitarist is enough!
but don't think much of his singing or songwriting
@bdp24 , Chet or Mark?
In his studio
Yep he is a very good guitar player for his style.  I really enjoy his playing.  For me I am more of a Danny Gatton person.  Particularly his 1993 Cruisin" Deuces recording.  That really floored me.  Also Al DiMeola who has mastered several styles.



Cruisin" Deuces Recording, just let this play:

Happy Listening.

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Oh well bigkidz, Danny Gatton is in a class by himself, as I have said here a few times. Vince Gill, himself a very fine player (not to mention singer) nicknamed him "The Humbler". Gatton is just ridiculous!

milpai, it was of Knopfler I was speaking. He’s adequate as a singer and songwriter, but imo much better as a guitarist. In his defense, I have somewhat high standards in songwriting. To me, the song is to music as the script is to movies.

Of course musical tastes vary that's why we have so many genres and bands. I like most of Mark's work.
Should be under the music thread though.

Danny wasn't a singer, or a songwriter, while Mark is both. Being a guitarist, a singer, and a songwriter makes one a more well-rounded musician, but perhaps Danny focusing on "merely" playing guitar was instrumental (hah!) in him becoming so accomplished at it.

The matter of technique is very misunderstood, even amongst musicians. The assumption is that the greater the technical ability---"chops", the better the music. It just ain't so. Without fail, every time I meet a new person of median age, and they hear I play drums, they bring up Neil Peart. Neil worked long and hard at developing his chops, yet when he assembled a distinguished group of musicians and recorded a tribute to Buddy Rich, he displayed, to his embarrassment, that he was incapable of "swinging"---playing a shuffle. How lame is that? It's only the foundation for all of Blues, most of Country, and a lot of Rock 'n' Roll!

I tell the following story---told to me by Evan Johns (who worked with Danny Gatton as a singer, songwriter, and second guitarist) every time the matter of technique comes up amongst a gathering of drummers: Danny Gatton had an ever-changing group of back-up musicians, and on one particular night had a drummer playing with him for the first time. After the first set, Danny said to the drummer: "You know all that fancy s*#t you're playing? Don't".

Danny had not only technical chops, but taste---musicality. It's hard to define, but it's what separates the men from the boys. A major element in taste is knowing what NOT to play. There is a famous quote, attributed to Duke Ellington, Count Basie, and Miles Davis: "It's not the notes you play, it's the notes you don't play". That's what it's all about. Danny knew which notes to play and which to not play, and so does Mark. Jerry Garcia, not so much ;-).