Magico Q7 . . . wow


In the world's best audio system

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Showing 6 responses by hifimaniac

This was this biggest disappointment at CES; I had to leave the room on two occasions over,the three days at the show; the listener fatigue killed me. The most over rated speaker line I have ever listened to.
Usermanual, Wilsons have a similar response by audiophiles as mine about Magicos. I was harsh; overpriced is a better comment. I listen to this line any chance I can whether in stores, show, etc and they have yet to impress me. The Magico Model One in particular is very overpriced for the sound it produces! The Evolution One monitor with stands for $2500 is more impressive and musical to my ears. In fact, I dumped my Wilson MAXX 2's for the Evolution MM2 speaker; it betters the Wilson in every aspect except a hyped up bass! The tweeter is superior by being more musical, less etched and better integrated to the sound stage. In fact I have never listened to a cone speaker that is as seamless from top to bottom. I love Dave Wilson and his attention to build quality, but tip my hat to Kevin Malgrem and Jonathan Tinn for designing and building a speaker of equal build quality but much better musicality, sound stage and inner detail compared to any Wilson I have heard. I also think the EA speaker line is more attractive and more flexible in fine tuning to any room. To all reading this, please do yourselves a favor and listen to the Evolution line. If you are in AZ, email me and maybe we can work out a listen.
Gee, I wish this was the experience I heard with the Magico Speaker! This describes something we all woudl want, but I unfotunately haven't heard when I have listened to this speaker: From the Ultra Audio Review

The Q3 does not in any way sound etched or bright -- in fact, it’s the antithesis of that. Transparency of the sort the Q3 is capable of draws one into the performance. By the same token, the Futura never sounded dull or congested, and never outwardly obscured information, even if it was not as ultimately resolving or as extended in the highs as the Q3. The Futura was eminently involving, particularly in that neutral midband. Bass extension was subjectively about the same from both models, with a rounder quality from the Futura, and greater articulation and speed from the Q3. The Q3 had more extension in the very uppermost registers, but the Futura never sounded terribly rolled off with any music I listened to. Both pairs of speakers could cast a magnificently large and precise soundstage, and both played cleanly, with no sense of strain at the higher volume levels I occasionally prefer.

Ultimately, the Magico Q3 is the higher-fidelity device in the truest sense of that term, but you have to be ready to accept the recorded reality it’s being more faithful to, and all that comes with it. The Sonus faber Amati Futura, on the other hand, will give you a healthy dose of high fidelity, but blends with it the voicing that Sonus would say comes from, among other things, the types of materials they have so carefully used in this speaker. I think each model successfully follows the path its designers have laid out. Which you choose to make your own will require careful examination of your musical and aesthetic priorities.
Vanderstein's are very musical and Richard is one of the absolute nicest guys I have ever met in the business; so humble and kind; like Jeff Rowland.
Vanderstein's are very musical and Richard is one of the absolute nicest guys I have ever met in the business; so humble and kind; like Jeff Rowland and especially Kevin Hayes at VAC!
I'm a Believer now; I have seen the light. I finally had a chance to listen to the Magico Q7's in a real world, home system and I can say I heard the magic. Dartzeel NHB 450M amps; Dartzeel 18 NS Pre amp with internal phono; Wave Kinetics NVS TT w/Talea tone arm and Ortofon A90 cartridge; mostly Tara labs cabling and all I can say is it was the best sound I have ever heard, bar none! What's even more amazing is the speaker isn't even fully broken in! I will return in a month and listen again. Sorry for all my negative comments above; but this proves how important system set up and electronics is for the best sound to flow with this speaker. I was amazed at the inner detail, musicality, dynamics and sheer effortless sound. Anne-Sophie Mutter's "Carmen Fantasie" on DG Vinyl sounded so real I wanted to cry! This is an all digital recordinng but the LP was anything but! The Gladiator soundtrack LP played loud never hinted at break up or smearing; simply stunning presentation. I won't be selling my Evolution Acoustics anytime soon, but do now appreciate the quality and what this speaker is capable of reproducing.