Lyra and OMA


My first endeavor into moving coil. I’m thinking of a Lyra Kleos MC Cart and OMA SUT. Anyone want to speak to that. Please?

Bent

128x128michaellent

Showing 6 responses by lewm

Michael, I think you were questioning JCarr's implication that a higher effective mass tonearm will produce more robust bass from your cartridge, even when the calculated resonant frequency is already within the generally accepted range of 8 to 12Hz (or lower than 8Hz, if you follow Kuzma's line of reasoning).  Far be it from me to put words in JCarr's mouth, but I suspect the reasoning to back up his advice on increasing effective mass is related to the fact that the cartridge/tonearm/headshell are resonating at all frequencies in relation to the program material and that low bass frequencies induce the most energy and hence resonance into the upstream system.  The equation we use is for the resonant peak, but there is resonance at higher frequencies, probably always inversely proportional in magnitude to the frequency.  Hence bass frequencies produce more resonant energy than treble frequencies.  Therefore, it may be that a higher effective mass than what is absolutely minimally necessary to place the peak below 12Hz helps the cartridge to control itself while trying to traverse grooves encoding low bass music.  At least this makes perfect sense to me, and is in keeping with my own direct experience.  Typically, the added effective mass will not be deleterious, i.e., will not drag the resonant peak down much below 8Hz so as to render the system sensitive to footfalls, or other environmental sources of disturbance.

Michael, a few postings ahove you wrote something to the effect that the higher the effective mass, the higher the resonant frequency. Actually, it’s exactly opposite. Resonant frequency and tonearm effective mass are inversely related. So a higher mass tonearm will invariably reduce the resonant frequency for a given cartridge compliance..

11Hz should be fine for the calculated resonant peak. Keep in mind that you’re using parameters (compliance and tonearm effective mass) that are good guesses at best. Fortunately there is a lot of plasticity in the equation itself as well, since it’s based on the square root of the product of two inexact quantities.

Many tube based MM phono stages use 12AX7 as input gain tube. 12AX7 has high Miller capacitance, so I don’t know how you’d defeat that . This has been going on for decades(mating a SUT to a 12AX7 input). Do you see it as a real problem?

Do you have any idea who actually make the OMA SUT?  Typically, OMA collaborate with other companies to manufacture equipment they market under their brand name.  Also, what is the turns ratio, which determines the voltage gain, of the SUT?