Low Level, Nearfield Nirvana?


I recently purchased a pair of highly recommended Genelec powered neafield studio monitors for use with the MIDI output of a Steinway baby grand.

The good news is that it is very enjoyable to have these nearfield monitors on top of the piano, to play and to listen to CDs and the piano and the close proximity means they can be played at low volumes which comes in handy to me as a nocturnal apartment dweller. And I find something very intimate and seductive about listening so closely to the speakers.

The bad news is that to my audiophile ears, they sound like crap and could cut diamonds with their tweeters. Maybe it is just the fact that my sources are being run through a Mackie mixer or with a CD changer but the sound is really very fatiguing. I suppose for $1000.00 I shouldn't expect Jadis and Magneplanar sound....

But it makes me wonder -- do any of your systems -- especially nearfield set ups -- really sound MAGICAL at low volumes?? That would really impress me. And I would love to hear all about it.

Even systems that have sounded wonderful to me often get washed out at volumes already well above ones that maintain good relationships with urban neighbors.

Any secrets for the ultimate late night city (or sleeping spouse/children?) configuration?

Thank you.
cwlondon

Showing 1 response by danner

You might want to try a digital graphic eq. The classic approach for near field is to introduce a 'room curve' which is a 3dB/octave attenuation above 2kHz (some people use 2dB/octave). If they still sound harsh, a reduction at 2kHz (the 'presence' range) might also be necessary. Personally, I wouldn't use Genelecs for near-field monitoring without such an eq.