List of artists that have never lost quality throughout entire career


One of the brightest on my list is 

1. Depeche Mode. I'm big fan started listening and enjoying them from their very first album "Speak and Spell". I am devoted to their perfection of every song they create in terms of sound, melody, harmony and incredible intelligence. Their music may seem simple, but in reality much more complex than seems. I believe that they're somewhat commercialized, but also believe that they deserve their incredible success. They're indeed Kings of electronic rock!

2. Can (The Can). Every album they released is a journey to their creativity. What are they rock? Jazz? Prog? Their music often can cover all styles of music in one song. It's a blend of jazz-trained drummer Jaki Libezeit, classically trained keyboardist Irmin Schmidt(also conductor and neo-classical composer and film score composer), multi-instrumentalist bassist Holger Czukai and classically trained guitarist and electric violinist Michael Caroli (RIP). It's a unique blend of musicians with extraordinary skills and creativity

3. Dead Can Dance. This artist has plenty of praises and each and every of their album is a unique blend of electronics and earth bound instruments. Lisa Gerrard is known to be a part of Gladiator Motion Picture Soundtrack.

4. Tom Waits. Many would criticize Tom for not singing his own voice, but I'm amused the way he does it with spirit of Louis Armstrong! Yes indeed with spirit instead of just imitating. Embracing the spirit of inspired artist is different and Tom is clear example to that!
czarivey
Karen Carpenter - such a clear sweet voice. How she sang so beautifully being so anorexic (at 47kgs), he voice never faltered. So sad she passed too early.
Tom Petty, Cream and while they were alive Hendrix and Joplin.
Stevie Ray Vaughan.
Willis Allen Ramsey

Put one great record out 46 years ago and nothing since, though I have heard he is working on a new record for the past 15 years. Maybe this will be the year! 
Ok, there is no judge or jury here. 
One opinion is as valid as the next. 
Happy Independence Day to you Slaw. 
Even posters here have downtimes and are boring. 
I’ve read a couple lately. 
COLOSSEUM
Jon Hiseman - you really are the greatest drummer both jazz and rock.Thanks for the Music

RIP
Fleetwood Mac

Richard Thompson

Mark Knopfler

Lucinda Williams

Gillian Welch

Ryan Adams

Dylan

Neko Case





Howlin' Wolf, Big Joe Turner, Jimmy Vaughan, Hank Williams, Levon Helm, Ry Cooder, Patsy Cline, Iris Dement, Emmylou Harris, Patty Loveless, Dan Hicks, John Hiatt, Rodney Crowell, Jim Lauderdale, Jerry Douglas, Tony Rice, Ricky Skaggs, Marty Stuart, Del McCoury, Loudin Wainwright III, Randy Newman, Nick Lowe.
George Harrison
Ann and Nancy Wilson
+1 on Ennio Morricone
Bernard Herrmann
Ravi Shankar

Herrmann and Harrison having long ago departed all too soon of course.
Stevie Ray Vaughan! even though he is long gone, in my opinion he was one of the greatest blues guitarist ever and never did anything subpar.
+ for Kings of Convenience. I have been listening to their songs for many years. A year ago, i see their live concert and its so much better than their album version.
i agree with ghosthouse on ec--i personally don't find much since layla to sink my teeth into, and layla came out in 1971. as a guitarist, i'm cognizant of skill, but don't rank him as high as those painting outside the lines.  neil young, on the other hand, has great stuff sprinkled throughout his career--to me his 1989/90 records like ragged glory are as worthy as his early 70s classics,  and he' s still cranking out good-to-great stuff like psychedelic pill and harvest moon well into this decade. granted, he needs an editor--there's a lot of dross in there, but his muse hasn't flown off.
Buds - Can only speak for myself.  EC wouldn't be on my personal list of such artists but not because of a lack of "esoterica" (Metheny's not exactly esoteric).  While I consider myself a fan, I don't find his output at a consistently high level to qualify.  Thinking of some of the solo albums he put out as the main "disqualifiers".   That's just me though.  Is he immensely talented and one heck of a fine blues/rock guitar player?  Yes.  One of the best, if not THE best, in my O-pinion.  Watching the DVD of the Cream Reunion at Royal Albert Hall renewed my esteem for EC.  FWIW - Neil Young would not be on my list, either...and with way more prejudice than against EC.    

Richard Thompson, Danny Gatton, Albert Lee, Loudon Wainwright III, The Ramones.
A very big ditto for John Hiatt and John Prine here...

Lyle Lovett, Lucinda Williams bear mentioning as well.  I haven't seen Prine on stage but I have all the others - together and apart they always shine. 

Paul Simon - can't refute the body of work there even if some records find argument pro and con. He's remained an individual throughout, like the others aforementioned, never dumbing anything down. 

Even though they ain't producing anything new, I have to ditto R. E. M. Sometimes I forget how freaking good they were, and what a unique vocalist Stype was/is.  Besides, just a great name for a band, too. 

Dr. John. 
"4. Tom Waits. Many would criticize Tom for not singing his own voice, but I'm amused the way he does it with spirit of Louis Armstrong! Yes indeed with spirit instead of just imitating. Embracing the spirit of inspired artist is different and Tom is clear example to that!"

@czarivey 
I agree with putting Tom Waits on your list.  I also think the above is an apt statement about TW's singing, even if much (not all) of his subject matter would be foreign to Armstrong's spirit.  

Case in point:  Happened to listen to "All The World Is Green" yesterday and that led to the entirety of TW's "Blood Money" album.  Last track, "A Good Man Is Hard to Find" definitely had me thinking about Louis Armstrong.  
John Wetton 
Greg Lake 
David Byron 
Gary Thain 
Chris Squire
Peter Banks 
Pekka Pohjola 
Paco de Lucia 

RIP Thanks for the music
I misspoke, sorry to all:  the release to which I referred was not issued under the Los Lobos name, but rather as the Latin Playboys (on the Slash label).  I found it harsh and industrial to my ear.  Perhaps I should give it another listen.  Anyway, sorry about the error.
@tostadosunidos

Just curious as to which Los Lobos album you’re referring to?
In an unrelated note....imho R.E.M., Pearl Jam and Los Lobos are the greatest American bands of the past 30 years.
I noted Gentle Giant here.
They were good first 2...3 years and than went to pop.
Count me in as a plus one for kd Lang.  
Another artist I think got better & better is Duke Ellington.  His later albums are still some of my all time favorites.
+1 for Los Lobos , one of the few bands I liked .
    Little worse than a pot-head women .

Excellent instance and example of nothing but first-rate work in Los Lobos, tostadosunidos! By the way, I learned of them in a great manner: I went to see The Plimsouls at a little dive on Ventura Blvd. in Studio City named The Garage (it was literally a garage---like a car repair place, converted into a "club") in the mid-80’s, and there was an opening act whose name I had not before seen or heard. They started their set, and my girlfriend and I looked in disbelief at each other---they were grrreat! Yup, it was Los Lobos, who had not yet gotten a record deal. I was an instant fan, and still love them to death.

That girlfriend had great taste in music---her favorite band beside The Plimsouls was The Lyres, her favorite rocker Dave Edmunds. Unfortunately, she turned into a pothead, one thing I cannot abide!

Los Lobos--I've never heard anything sub-par from them.  They did one album in a style I didn't care for, but I can't say it was bad--just not my cup of tea.

Right you are oregonpapa, I was just thinking about composers .
Schubert, Mozart, Beethoven and Brahms never did either for that matter .
The string quartets Beethoven wrote as he was stone deaf and at deaths door have never been surpassed .
Schubert died at 31 and wrote over 1500 pieces and the best were done in his last 2 years when he was very sick.
His String Quintet in C is the Holy Grail for string players, I heard no less a musician than  Arthur Rubinstein say, with my own ears, he thought it the greatest piece of music ever written .

I hear you oregonpapa. Here's another Gershwin studio recording with Hal Mooney, a young Sarah and also a cd of the rehearsal cuts to give some insight into how talented and gifted that lady really was, just incomparable. Her voice got a bit smokier and richer as she aged but her interpretative skills just kept growing.

https://www.amazon.com/Sarah-Vaughan-Sings-George-Gershwin/dp/B00000AFEZ/ref=ntt_mus_ep_dpi_1
Top of the heap ... Sarah Vaughan. She never lost it. Not one iota. In fact, her instrument continued to grow right to the end. Perfect pitch and a voice that emulated a wonderfully lush tenor saxophone that tenor saxophone players only wished they could duplicate.

Try the last two cuts of this album, "A Foggy Day in London Town" and I’ve Got a Crush on You" to see what I’m talking about:

http://www.ebay.com/itm/Gershwin-Live-by-Michael-Tilson-Thomas-Sarah-Vaughan-CD-CBS-Masterworks-/391...
@dragunski 
Most of Brandenburg Concerti played mediocre or boring perhaps except Richter piano transcription.
Classical players pay attention to other players and good ones adjust to same . That's improv to me .
It's true with many classical performance ways to define moods and change pace towards benefit of a certain instrument or a sound, but that's not defined as improvisation.
Mozart studied with the best teachers available , Haydn for starters who, if not his musical equal, was very close to it .


Classical musicians improvise more than you think, Ivan Fisher the leader
of the Budapest Festival Orch ., which is one the very best in the world, seeks players who do. Every player has their own sound , two play a concerto you hear the difference, not better just different .Conductors use different tempos and stress different things . 

Billy Joel now plays classical , he said he was ashamed of playing what he did when he knew better .
@schubert ,

it is quite CLEAR that above is optional !

What about Mozart who revealed his talent at the age of 7?
It looks like training was indeed optional for him and his music isn't so simple as well.
Later on he learned how to place his own music on our traditional western 5-line staff, but before that he was just like Art Tatum not knowing single note and he learned to sing prior he started talking perhaps in his mother's womb.

Today we have similar talents that play various types of music and sing, but not too much classical. The classical music performances are substantially more structured and strict today. The classical musician is expected to provide clean and precise performance rather than personal interpretation often used by self-taught and trained musicians. 
Once Joey Di Francesco  started learning classical piano somewhere in his early 30s, he quit not too far from his start, because it's not his bowl of soup, however he mastered to learn solfegio. 

One thing I can agree on is when there's no talent or training -- there's no music whether it's rnr or classical. The result is not interesting and boring.
As to commercial media, it's looking for talent that can bring profits to the industry so there must be some of both above mentioned to at least certain magnitude.

Not so many.

Banco del Mutuo Soccorso (- their 80´s stuff)  feat. Francesco di Giacomo RIP

Practically all RPI. Well, the 80´s wasn´t their finest hour but was it to anyone really in Prog. The early 80´s was rock´s decline anyway.

Ennio Morricone
Keith Emerson RIP
czarivey. You seem totally unable to grasp  that in adult conversation some things are so obvious that the norm is to not  state them .
Of COURSE there are people in pop/rock, even country, that are talented and well educated as well.
However it is quite CLEAR that above is optional !