There is still a large group of LP12 owners. Most already own a Linn setup and continue to upgrade, so I don’t think there are many new sales, except perhaps in the UK. The issue is that a new SotA Linn is very expensive and there are better tables for that amount of money.
The quality of the LP12 continues to increase, but requires owners to upgrade components such as new improved power supplies and tonearms. I love the Linn sound, but it is expensive to own the latest versions. There are many complaints about setup by non owners, but if your Linn has been properly setup by a Linn dealer or Linn specialist it will provide years of trouble free performance.
I own a couple and I know folks who have bought LP12s in the last year.
Linn, as a company, has taken a different direction and has embraced streaming, they no longer make a preamp, or phono preamp, that does not digitize analog signals. But there will always be support for the best selling turntable in history. A stone cold bargain, IMHO, at today’s used prices, and a true classic.
The latest LP12 Klimax is able to compete with tables that are very significantly higher in price. I think the problem is twofold...one) the table doesn't have the high tech look that some of the deep pocket a'philes want, and two) it has had so many variants that there is a tremendous amount of misinformation that continues to circle around it.
@lowrider57 care to mention a table that is better for the same money as a full spec LP12 Klimax??
I'm not up on the latest TT's since I've been upgrading my digital. Dont know of a better TT rig since I've been out of the game, but I do love the sound of a Linn. I think you can get many XL TTs for that amount, but it's a matter of taste. If I could afford it, I would own a Klimax or a Sota.
Absolutely correct about misinformation due to the many variants. But for an owner, you gotta love that this can be a TT for life. The upgrades and different choices will continue.
Some of the most musically involving systems I've heard over the years had Linn turntables in them. We always spent a lot of time in the Linn rooms at the various shows. These were guys who shied away from the overly reverbed recordings normally played in the rooms at shows and opted for truly great recordings to demo with instead.
@dsholl1 Funny how guys with Kuzma’s always say they beat the LP12 Radikal D...not in my books and not by a long shot. All of the Kuzmas I have heard sound inferior to a well set up Linn...Obviously YMMV.
I can tell you that I went down the Linn rabbit hole and the Kuzma is better in every way. It’s not vanilla vs chocolate it’s more like, one is miles better vs one that isn’t.
I was was in the cult of Linn. But unlike many in the Linn camp I’m objective enough to know when something is better.
Linn Radikal is so cheaply made it compared to the Kuzma too.
The Kuzma does everything the Linn does but better....timing dynamics soundstage and is quieter. Also can try different tonearms instead of being stuck with an Ekos SE which is the most overpriced and under performing arm I ever had. It can only take “Linn” cartridges and some Dynavectors.
Im not a Linn basher but I am someone who has put his money where his mouth is unlike most die hard Linnies.
Also @daveyf in “all the Kuzma you’ve heard” have you actually ever listened to a Ref2 in your system??? And perhaps it’s not “funny” that all the guys that end up with Kuzmas say what I say. Perhaps it’s just true?????
I am not alone another friend in Australia went down the Linn path and ended up with the Ref2 as well.
Linn make a great classic TT but really it’s at best a $5000 TT they just keep fleecing their ongoing customers with the upgrades.
Bought my LP12 in October 1988. It has served me well.
Cirkus bearing, Lingo (1) power supply, Ekos tonearm, The latest phono cable, trampoline II and totally gone over and tuned by Tom O'Keefe of Ovature Audio in Ann Arbor, MI. The Best Linn Tech left in the USA, IMHO.
The Kuzma is better built (better machining), PS is better build, 12" VTA arm is two full steps ahead of the Ekos arm - Fine adjustment of azimuth, VTA on the Fly, quieter bearings, Just plays better than then Ekos. I have heard the SE Ekos in a full blown Linn rig while Tom worked on my table. Yes, The Full Blown Linn rig does sound great; Not $25,000 great.
I bought a Technics SL1200G at Axpona 2018, Had it shipped to atmasphere (Ralph), He built and mounted the new arm board, Tri Mai built and mounted the Triplanar Classic SE tonearm. Brian Walsh mounted the Lyra Kleos Sorry, Davey, This rig takes down the Linn/Radikal. BTW, Tom barely was able to mount the Kleos to the Ekos arm. Technics has better speed control than the Radikal, Triplanar arm is in a different league than either the Ekos SE or the Kuzmz 12" VTA arms. Zero problems mounting Lyra Kleos to Triplanar arm. VTA on the Fly, azimuth adjustment, better bearings, One continuous wire from cartridge pins to terminations. Forget the felt mat on the Linn; Oracle Hard Acrylic mat now on the Technics. HRS 315gr record weight.
@nkonor I have a friend who has the Technics SL1200G. We have AB'ed it against my Linn...result, he is now trying to sell the Technics and buy into the entry level LP12 Magik! I happen to agree with you, the Triplanar arm is a superb arm, and one that I think is superior to the Ekos SE....Unfortunately, that is not the only part of this equation.The LP12 is a FAR FAR superior sounding platform to the Technics ( I actually way prefer it to the new Technics SL1000 as well). The LP12 Radikal is somewhat let down by the Ekos SE, but take a look at the arm I am using with the LP12 Radikal D, it kills the SE and all others on this table...Superb match up with my Kleos.
@nkonor. I noticed again that misinformation is prevalent with this table. Your post states you owned a Lingo...presumably the shoe box model. That model is miles away from the current model with a Radikal D. You then state you heard at Thomas’ place a full Radikal LP12..and that was great sounding, but not for $25k! Here’s the thing, you can get a Akurate model with Radikal D and a Ekos Se with a Kleos for about the same money as your Technics with Triplanar...IME, that rig will easily see off the Technics.
I agree with nkonor. The Linn sound is outdated to my ears. I would say if you are a tinkerer, buy one used. I recently heard an old Kenwood DD turntable at a friends house with an old SME 3009 and a shure cartridge that would give the Linn a battle. I think he is going to sell it for like 500.00. They are good tables used if you like the Linn sound and can get it at a good price.
Personally, I would say the Technics table trounces the Linn all day long.
I heard a fully Radicalized Linn and came home and listened to my VPI scout and felt it had more presence than the Linn. Now thats a 1600.00 table vs. at the time a 20K table. Thats just not good enough and Linn should be ashamed to sell a table for that much considering a scout betters it in some ways. At 20K it should not in any way. Not good. My scout is the old acrylic platter version. RU kidding me...
What happens when you go from a 120 gram record to a 200 gram record? Does it go out of TUNE? What happens when a cold front goes through, the humidity changes, etc. I have friends who have gone from one record to another and encountered massive differences in sound. One record sounds great, the next record sounds completely wrong? Not good in this day and age. One thing I will say is the Linn is a very nice table to look at.
@tzh21y What gear are you listening to as ancillary...Bose? Because, what you state makes sense if you that's what is your experience. OTOH on a system that is resolving, then even those with tin ears are going to understand why the Linn is still so respected throughout the a'phile world! OTOH, perhaps it is best for you to keep on being deluded about the LP12 Radikal and enjoy your Kenwood...or VPI Scout;0) Like I stated above, there is a tremendous amount of misinformation about the LP12 platform...this thread, and posts like yours, continue with that issue. Well answers the OP's question, IMO.
I actually listened to the Linn on an all Linn system at a Linn dealer. It sounded good, but not worth 20K. Thats just the way I hear it. Others like yourself may think the Linn is better. I for one do not especially for 20K or even 4 or 5 for a Majik or whatever it is.
@tzh21y So you heard the LP12 with an all Linn system and then came home and preferred your Scout! Really that is no big surprise to any Linn table adherent! While we think extremely highly of the table, the same cannot be said for the Linn ancillary gear. Personally, I have to agree that the Linn electronics and speakers are in no way competitive with numerous other pieces,at or below, their price point. Therefore, unfortunately you did not hear what a LP12 Radikal can actually bring to the system. I also know that most Linn dealers won’t actually accept this fact, but the a’phile community has known this for years.
Again, unfortunately you are spreading misinformation that is based on a faulty assumption. I can see on this forum and others that this is prevalent with the LP12...and again, answers the OP’s question. Linn themselves do have some amount of blame with this, as they have a product that their dealers are typically NOT demoing in its best light....due to their primarily wanting to sell their Linn ancillary gear.
@syntax. We are supposed to believe that Linn sold thousands of their turntable, simply due to excellent marketing!... According to you..no one that bought the rig was able to hear well enough to determine that is was faulty and therefore they were deaf like a stone. Thousands of deaf folks that just couldn’t hear all of its faults...unlike you, I guess ;0)
@bima LOL that’s great! However one thinks about the LP 12 sound you have to admit that it’s a great business model but not so great for the consumer. How can you have that many improvements/upgrades? If it needed improvement it should’ve been incorporated into the next model at the base price! And the price of these improvements/upgrades are just obscene for what you get! That is why I would never buy an LP 12. Because I think it’s a scam and I would feel like a fool for buying in…But again I’ve never heard one so they may sound great.
Please note also that they were the first (?) manufacturer to shake the establishment by insisting that motor units/turntables sounded different and could dictate the sound of your system. Consequently, they challenged potential buyers to AB the LP12 against competing turntables. Dealers & reviewers did this constantly, using the LP12 as a reference product. After hearing, most people bought the LP12 hence the fanatical following that Linn enjoyed for many years.
I’ve always said of even basic Linns that owners don’t know just how good a turntable it is until they use it with more resolving ancillaries. Running my old Valhalla-ed LP12 through bigger & better amps & electrostats revealed an altogether different beast, one that felt irreplaceable.
I no longer own that T/T but you won’t hear any bad-mouthing of LP12s in this house! ;)
Perhaps it is that those who prefer the Linn prioritize different aspects in reproduced music than do those who prefer a different table. The LP12 is known more for it’s ability at conveying the temporal elements in music (forward momentum, timing, etc. PRaT), rather than its purely sonic (frequency extension---bass in particular, imaging, etc.) characteristics.
The OP didn’t ask what the darned thing sounds like, or if the sound is competitive. He asked if anyone still bought them, and why Linn dealers are going extinct, but in true Audiogon fashion most posters answer the question that they imagine in their minds, not the one that was actually asked.