Linn Sondek question


What is it about a Linn Sondek LP12 that requires it to be tuned up?  I was at a Linn specialist recently and was amazed at the amount of Linn Sondeks he had just in waiting for "tune ups" or whatever they needed.  There must have been at least twenty.  So, how often does this have to be done?  Is it the springs, weather conditions etc.  I never see other tables requiring this kind of attention for what seems to be required on a regular basis.  Can it be done by the owner?  Seems like a lot of fiddling.  The setup that was there sounded great.  There is a specialist on youtube that posts many Linns and the sound quality is fantastic, but at what cost?  Like I said, I have never seen that many tables requiring attention in my life.  So what his the thing with these tables?
tzh21y

Showing 1 response by davidclarke

I am the Linn dealer for Maine.

Some of this is common sense - If the suspension is too tight that is bad.  If the suspension is too loose that is bad.  There is a sweet spot - when it is right you get optimal feedback resistance and minimal induced sounds.  Most any turntables with adjustments will benefit from being adjusted properly - again there is "too hot, too cold and just right."

Most people agree tracking too light or too heavy is bad too - same thing with the arm - try to get it into its optimal configuration.  

The LP12 has been refined for over 40 years - they just keep making it better - a little every year.  The LP12 is a simple concept well executed.

A basic LP12 with a good (very good) cartridge will get you 97.5% of what you are looking for.  There are small incremental improvements as you upgrade.  Obviously the rest of your system needs to be good enough to hear the improvements.

The LP12 is the only turntable we sell - our customers love it.  What's not to love?

PS - when I started in this business you could buy and AR turntable with a Shure M91 for under $90.00 dollars...  But that was a lot of money back then!