"So my first post is about an issue with krell preamps, especially the KRC3, which is my actual preamp. It appears that I have to crank up the knob to get a loud volume."
So what you're saying is that you have to turn up the volume to make the system louder?
Sorry, I just couldn't help myself.
What kind of cables do you use? You need to make sure that they are fully balanced as well. You can put an XLR connector on a single ended cable, but for the cable to be fully balanced, you have to have 3 separate conductors.
The XLR cables I use between the KRC3 and my Pass X250 are ok, they do have 3 separate conductors.
To clear a bit my worry, let’s turn it this way: I have had a lot of audio gear in my life and I never have to turn the volume past 1’o clock. Generally, whatever preamp was in use in my system, such a position has given me a loud volume regardless the source I was playing.
It is different with the only krell premps I have used, now the KRC3 and the KSL before. First I thought it was a specificity of Krell preamps but going through different forums, I could read from some users that their KRC3 responds differently. Actually some of them say that they never need to turn the volume past 10 or 11 (I mean position), “they would go deaf…”
Of course this depends on what is considered loud…
So is there something wrong with my KRC3?
For me it is strange to ture the volume till 3 o’clock when I listen to a vinyl rip for example (even if it’s quite normal for a vinyl rip tto have a lower volume but better dynamics than a remastered CD for example).
Maybe everything is running normal what do you think?
I try to benefit from balanced outputs, which in theory deliver 6 db more but I can’t really fell so. Anyway I might have not listen enough since I plugged the XLR cable to appreciate a difference, I will proceed to check these days…
Thank you for any inputs…
Hello James Zep, welcome to Audiogon (I like both bands.:))
Well how loud you have to turn the volume knob depends on several factors. How large your room is, how efficient your speakers are, what you amp's input sensitivity is, how much gain your preamp has and what the output voltage of your source is. As you can see, there are many factors that come into play here.
I don't know how big your room is or how efficient your speakers are. I can't find the Pass X250's input sensitivity. I can see that the Krell KRC-3's gain is only 6.5 dB, which is relatively low for a preamp. I also can't find any information on your Marantz's output voltage.
So, there are many unknowns in this equation. The one known says that 6.5 dB is on the low end of the gain scale for a preamp. For instance, my preamp has 20 dB of gain. So it could be an issue where your KRC-3 just does not have enough gain to mate with the rest of your system. However, it won't hurt your system to run the volume knob at 3 or 4 o'clock. Many folks have the opposite problem, where 8-9 o'clock is blowing them out of the room.
Bottom line, if the system is playing loud enough for you, don't worry where the volume knob is located. If it is not loud enough with the volume cranked all the way up, then you need to look for a preamp with more gain.
“However, it won't hurt your system to run the volume knob at 3 or 4 o'clock.”
That’s true and it’s actually pretty precise on low volume sessions, like at night. The KRC3 volume control is quite accurate on that sense…
And as you said it might come from the gain feature, for example my Classe Five (I don’t have that problem with Classe preamps) has 18 db of gain.
Now I was hoping that I could take advantage of this (quote from KRC3 owner’s manual):
“NOTE: When connecting inputs or outputs to the KRC-3, remember that the balanced connections will have 6dB more gain than the single-ended connections. When level matching is critical in your installation, keep this specification in mind.”
But even with an XLR cable between preamp and amp, I don’t feel a difference (though I didn’t have a long listening period through this cable). Do I have to connect the whole system with XLR cable to take advantage of this? (Which means I need to go XLR too between Marantz player and KRC3 and I can’t. Not too bad cause I’m seriously considering an Oppo 105 but I still have to figure out if it would be and upgrade considering I don’t care about blue ray).
Thanks to both of you.
I'm not sure if the KRC-3 is fully balanced or quasi-balanced. The manual note may say that you will get +6 dB of gain running balanced, but their spec sheet in the manual does not indicate this. It says 6.5 dB of gain....period.
Most spec sheets that offer balanced and unbalanced outputs would have a spec sheet that states:
Gain - 6.5 dB unbalanced, 12.5 dB balanced
The Krell does not do this, so you would have to contact Krell to find out where the error is in their manual. Is it in their +6 dB note, or on their specification sheet.
If you don't hear a +6 dB difference, I would suspect a quasi-balanced design, which does not provide a +6 dB gain that fully balanced designs do, and that the printing error would be in the +6 dB note that was probably written by a marketing agent. The spec sheet is usually written by the engineering department, and therefore more accurate.
Printing error from Krell… You might be right but it is a bit surprising.
Once again I’m not having too much time since I bought an XLR cable.
Anyway I called a friend who has also a Krell preamps and he has observed the same volume comportment. And what all of you guys tell me reaffirm that so I just guess they are made this way.
Thank you all.
I just thought of something you may want to try. Sometimes components have things like buttons and dip switches, either internally or externally, that are used for various reasons. (set gain, bal/se...). I would definitely take the top cover off your Krell and have a look inside. I'm almost positive Krell uses dip switches. It should only take a couple of minutes and would be well worth the effort.
The KRC3 has a gain button on the remote but actually this corresponds to other Krell preamps, it is disabled for the KRC3. And about internal switches, there are two of them but they don’t have anything to do with gain. I’m saying that cause I read the owner’s manual. I should check anyway as you recommend me.
The Krell KRC-3 was a newer, less expensive version of the KRC-2. It used the same chassis, and probably the same remote. The KRC-2 had adjustable gain, low was 6 db,high was 12 db, gain was adjustable via remote or with a front panel switch.
The KRC-3's gain is set at 6.5 dB, and cannot be switched. That would explain why the gain switch on the remote does not work.