Koetsu surprise


I have to hand it to my wife.  Like many of us, I have always plotted and schemed my own system upgrades based on my interests and perceived best bang for the buck.  I have been concentrating on the analog front end for the past 4 years and have been listening to a lot more music.  I had been enjoying a Lyra Delos for its detail and upper register energy, a SoundSmith Zephyr Star for its amazing instrumental separation and full frequency balance and an Ortofon MC A90, that I purchased used of Agon.  Thought I was done with cartridges for a long time.
So when on the eve of our 20th wedding anniversary I received a little square box from her, I had no clue that she would gift me something for the stereo.  But there in front of me is a pretty little Koetsu Rosewood Signature Platinum!  
Its hard to describe the disbelief.  I had never considered a Koetsu.  My impression of them was that they were rolled off, romantic, old school cartridges that had been bettered long ago by the likes of Ortofon, Lyra and SoundSmith.  Never really read up on their cartridges given that their cheapest models were about as much as I would ever consider spending.  
Fast forward one month and I have put about 40 hours on the RSP.  From the first needle drop I was very impressed with the midrange presence and the utter ease and extension into the very highest frequencies. The bass did sound a little soft in the first several hours but has tightened up considerably.  It sounded its best loaded with 100 Ohms and mounted on my Mørch DP-6 with heavy brass headshell screws from SoundSmith.  I currently have it on my Jelco 750D with a Jelco Rosewood headshell.  
I don't think any of these arms are the best match but the RSP does sound quite special on all of them.  Just purchased a 40 year old Fidelity Research FR-64S.  Can't wait to listen to the RSP on this arm.  Any recommendations on the FR-64S/RSP combo are welcome.

This whole experience has taught me an interesting lesson about assumptions in our little hobby.  You just have to listen before you judge.  This is a quantum leap in musical enjoyment that would never have happened if left to my own devices. Anyone else have this type of experience?  First time you heard something that changed your mind about what you thought you knew about audio?

I married up!

128x128karl_desch

Showing 7 responses by 13blm

Hey Karl when I cut you the arm board for the FR I’ll put an on the fly spindle to pivot adjustment on it. Well get that beautiful cart dialed in perfect!

Bruce
Anvil
Just curious Raul, what equipment have you found meets your criteria?  Is there a particular piece you own that you are very fond of?  Not baiting you, just wondering .
So Raul, what brands are you currently running to help you achieve this goal?
Hey, he was the one who said "virtual". Nice system. I like that Micro Seiki .  
My newest arm boards have on the fly spindle to pivot adjustment. I have noticed an occasional improvement in sibilance and focus when dialing back and forth.  My guess is that some tonearm manufacturers geometry is possibly just a hair off and the adjustment makes for easy correction. 
I think what many of us are saying is that ultimate neutrality or faithfulness to the recording isn't necessarily the goal. Even if perfect accuracy was achieved it would not automatically ensure listening pleasure, and we all perceive sounds differently anyway. Different brands and technologies exist to cater to personal subjective preferences, which can change day to day!  This is why so many analog enthusiasts run multiple carts. A little coolness here, some romanticism there. I like a system that in some ways caters to my whims and values, which change all the time. Appreciating neutrality is different than loving it. Any car can get us from point a to point b however we drive what we like. A formula one car more accurately follows the road than than your typical auto but few of us would find it pleasurable as a daily driver. In short, I think accuracy is fine but not an end in itself.