You already know how I feel Bigjoe, and I've posted those sentiments to a few of the threads I've answered on this subject. I do believe you are quite correct about the setup and the gear you are using them with. I've heard them sound utterly unlistenable if set up to their disadvatage with SS gear. Then again, there seems to be a large group of supporters like yourself and others using Vintage Klipsch speakers along with SS and having very pleasing results, so go figure. Sean has made some interesting comments about improving the cabinets with bracing to get better sound, and, as you know there are many folks out there tweaking them in other ways. My LaScala SET system seems to impress most folks, audiophile and non alike, who come and listen to it. I think it has remarkable clarity and holographic presence. I think folks who are used to a more conventional 'rounder, softer' sounding speaker (those are my non-audiophile terms), could find the vintage Klipsch sound a bit to stark and harsh at times. I'll be curious too to hear some responses to this thread. I think the longevity of the technology and design of Paul W. Klipsch is truly remarkable in a world of technology that is changing at the speed of light. Same goes for Peter Walker and Quad. These brilliant pioneers designed products that still to this day, some 50 years after they were conceived of, still sound quite wonderful when settup right. Can they be outdone......are they the best? Yes and no, respectively. Certainly tecnology now offers all kinds of advantages in computer-enhanced engineering and design. Materials and components also have changed benefiting from the same. Klipsch, the company, took a turn in the opposite direction, IMO, when Paul sold the company to his relatives many years ago, and now their offerings cater more to midfi and entry level to compete with the likes of Bose. Quad certainly seems to have used the advances in technology to build on it's original foundation and raise the bar. I wish Klipsch had gone that direction. Instead the only two remaining designs of Paul's they still sell, the Khorn and LaScala (don't know if the "Jubilee" ever made it for public sale), remain relatively unchanged, and reportedly still sound damn good. Still, for not a whole lot of money you can have a very rewarding system using old technology that doesn't give up much for it's age, and you can find it right here in the used market, or at a pawn shop or garage sale going for bargain prices and offering a very satisfying voice to a thoughfully put-together system.
Marco
Marco