It is a Class D type of amp.
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Still, I would think a lot of guys would want that kind of power for such a low price).And that one myth has probably been the downfall of many systems. In the "golden days" (whenever that was 60'-70's )high powered amps were not readily available. Oh sure. professional studios and venues had them . But the typical PA' system only had 200wpc or less. I've sang over many of them. High wattage then was 60-80wpc. The key is that it was known that high watts doesn't necessarily have good sound. Today, I see people constantly talking about the "Need" for a high powered amp 300-400 wpc as though it automatically meant that it was going to sound better. FWIW, I have a 1200 wpc Crown in my PA. I've had 1200 wpc to 35 wpc (Which I have now) The 2 best sounding amps were 35wpc tube and a 45wpc Harmon Kardon. OK, I'll slide my soapbox under the table now and get out my flame retardant suit.
I do live sound mixing/producing for filthy lucre, and although I have pro amps around I would never use them for my hifi...the high power of pro stuff gives you the headroom needed for uncompressed sound and live systems rarely use all of it...powered speakers are generally cruising along as they're generally very efficient, as are pretty much every type of live speaker I've used. I had a pair of Altec A7s for my bands in the 70s, driven mostly by a Kustom "Bi Amp" that had 200 watts for the woofers and a hundred for the horns...loud. Note that in a Magico factory tour I noticed a QSC GX3 amp like the one I have on their shelf (an inexpensive masterpiece of a powerhouse amp, what does Magico use it for? Hmmm)...I occasionally use mine for monitors or whatever on some live shows, and in its little road case it's generally used as a footstool for my wife's home office chair. The fan noise makes it unusable in my studio so I use an old Alesis RA-100 in there. My hifi amp is a massive 12wpc single ended tube amp, and I won't be using that for live stuff.