nsp, I agree with acman3; my opinion of Wynton’s IMPROVISING also has softened. As a trumpet player he has few equals; some might argue, no equal. As a bandleader he is great. As an educator and advocate for jazz, particularly its roots, he is fantastic. He has become such an important personality in jazz that I think the “beef” that many critics and players had/have has become rather moot. The beef was that the level of attention, notoriety and fame that he received was considered by some as not being deserved relative to the quality of his jazz playing. The feeling was that his playing somehow lacked soulfulness; that it was dominated by feats of virtuosity and, as older players like Miles would say, “he doesn’t say “sh$t”. I agreed to a degree. While I acknowledge that this is a subjective thing, I was seldom particularly impressed by his “story telling”, but the gorgeous sound and amazing command of the instrument usually held my attention. My opinion on this has softened because I think he continues to grow as an improviser. The solo on the Ruben Blades clip is a good example. I must say, however, that there are other current trumpet players that I find more interesting.
Tom Harrell is a favorite. Not too many players can play an extended solo without the help of a rhythm section. His time feel is so strong that one almost doesn’t miss the bass or drums. His command of harmony is so good that one can follow the changes of the tune without the help of a harmony instrument (piano or guitar). Beautiful warm sound:
https://youtu.be/Gw5bXS5VZcU
Tom Harrell is a favorite. Not too many players can play an extended solo without the help of a rhythm section. His time feel is so strong that one almost doesn’t miss the bass or drums. His command of harmony is so good that one can follow the changes of the tune without the help of a harmony instrument (piano or guitar). Beautiful warm sound:
https://youtu.be/Gw5bXS5VZcU