Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

Frogman, you sure know how to write, but you don't know how to reason; when genes are dispersed in such a casual manner, the only thing certain is the origin of the genes; the Black genes came from Africa. If you had studied all the various tribes of Africa as I have, you know what an incredibly diverse place it was before "they sold slaves". Unless the genes were dispersed scientifically, there could be no conclusion of who has them, or how they will be manifested.

People Black as the Ace of Spades have managed to be successful in the European manner when they came out of slavery; how this occurred is a mystery to "everybody". It's no mystery how the light skinned blacks who were educated because they were the masters offspring prospered; but how Black people as black as the Ace of spades prospered is most certainly a mystery to me.

When discussing something of this nature, a million people and a 50 year time span is not exorbitant.

When talking about anything or anybody, the most important question is; who was his daddy. Then we can go from there. Was he the little baby boy who was delivered to the penthouse in New York, or was he the sharecroppers son. (no matter what color, he got a tough roe to hoe.)

It's not a matter of blaming "Whitey" because he's in the same boat; the aristocracy has played it that way.






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O-10:

The Wikiman has long been accepted, and established, by popular consensus, as the go-to guy for all things music on Audiogon.   Therefore, he can NEVER be wrong,  or at least he can NEVER admit it, without losing some of luster off his reputation.

So quite naturally, all the members(audiophiles) support him.   He's one of them.   He can even hear wire.   Which is even more amazing than his nonsensical pronouncements on the origins of Jazz.   I think we should just understand all this and move on.

We know the truth and we have spoken it.   All the Wikiman knows is what he learned in school.  We should not blame him, people go to school to learn.   The problem is, he never saw the larger picture, or the proper context of what he was being taught.  

I think our school was a little different.  We learned the official line, and lived and experienced the real line.

Jazz anyone?

O-10, you never said if Trombone Shorty was playing Jazz or not.

Cheers


@frogman - pleased you enjoyed the Bunny Brunel clip.  YES!  Frank Gambale...you are exactly right about that  For me it was a bit of serendipity as I'd recently been enjoying Steve Smith/Vital Information "Come On In".  Became aware of Gambale there.  Great sound.  Great inventive playing I thought.  The SQ on that Momentum recording...even from Spotify is really really good.

@rok2id - You have much to offer in this thread as you have repeatedly demonstrated.  While I understand you disagree with Frogman (and others) on various matters related to jazz and "audiophilia",  ridicule does not advance your position(s).  It has progressed beyond childish and tedious to generally unpleasant, becoming  a good reason not to follow this thread or at least your contributions to it.