Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

Showing 50 responses by acman3

Rok, I am listening through the computer speaker in my MAC. so you know what that sounds like. Even worse as the music gets complex. I just bought new speakers on the main stereo, so I will keep listening to the computer speakers for a while.

I saw Freddie and Clapton in 1974 or 75. They tore it up for the encore.
Rok, Dbx decoders are cheap. Check and see which are respected by current standards.

I have been contemplating R2R for a long time, but have decided, at least for me, right now, two sources are enough.
Thanks Frogman! That was great, although so many of my heroes are getting old.

Rok, I am impressed. Keep at the Threadgill, there is a lot there. Not always easy to see.
People have been arguing over this since the start of Jazz. This open letter was written by Mingus, after he said, in a blind listening test, that Dave Brubeck and Paul Desmond were not doing it right.

http://www.mingusmingusmingus.com/mingus/an-open-letter-to-miles-davis-

I believe the open minded listener, Frogman spoke of, is more, by nature open to BS. The narrower minded person has it easy to say everything, not to his liking, is BS.

I think , most of the time its like Pornography, I know it when I see it. ;)

Hello O, Glad to see you!
Rok, that article was silly. For a closing argument you will have to do better.

Just let your music make your case. A little Sonny, A little Hawk,.. More will agree with you that way, and we can enjoy being told were wrong.;)
Loved the Ben Paterson! I was listening to some great jazz today, but most don't have youtube video's.

Someone, I am embarrassed to mention I just caught on to, was Miguel Zenon.

http://www.youtube.com/watch?v=AptpSs4Ntzk

http://www.youtube.com/watch?v=_Y4KPYjfcl4
Alex, I was listening to "Howard Robert's is a dirty player", today. Great stuff. I had never seen the recording you featured. I will be looking for it. Thanks!
Rok, I can always use some Sonny. It was ignored so badly, it has disappeared??????
Much better, but is it fair to use a quote from a man so obviously struggling with Low T?

I guess I can stop waiting on the next Buckshot Lefonque record.
The Rollins was sublime. I don't choose to see it as new vs old. It's all a continuation. Different times, different places. Vibrato is different among the older players.
Just to be clear, the low t comment was meant as a joke. I have always liked Branford Marsalis's music. I even managed to see his Quartet play once. He played some free music during the show, based on a chord, and they would improvise and let it take them where it wanted to go. He said they did this every night of the tour for their interest. The jazz that night was a very high level, very exciting for me, but lost my brother after about 10 minutes.
I disagree with you both on this matter. We are going in circles, over and over.

The only thing is to agree to disagree, but the complete hopelessness of your viewpoint, makes me sure we will be back again.
O, that sounds like a request my 1st wife made, the more I explained the less she liked me. I would prefer to be the Chauncy Gardner of Audiogon, but I will try.
I remember a friend who told me that at North Texas they forced the jazz sax majors to perform in classical training with an orchestra. He mentioned that anyone could tell they played jazz, because they all had different tones and played around the beat. It seemed to be allowed.
I started to bring into discussion the difference between, at least to me, the difference between modern and older jazz styles, but I just don't have the ability. Maybe Frogman can help, although I do realize this is asking a lot, and would fully understand if he choose to avoid it. It may be that these differences make up why some prefer older jazz, and find newer music academic.

1) vibrato slow vs fast
2) scale runs vs angular
3) simple blues head to solo around vs complex music themes

I am already in over my head, but doesn't take much. These are just a few of the things I hear. I also hear math and music patterns, but I think that is just me, and a whole different discussion.
The whole paragraph is true, not just the last sentence. Jazz can never stand still, and in this constant movement there is bound to be mistakes and successes. Anything truly free to change will do that. It will be messy,like the people playing it and listening to it, but to make rules to protect it is, ironically, the only thing that can kill it. The people claiming to save it, will be the one's who put it in a museum for preservation.
Also loved the Miles! The band was insanely good at this point in time. They not only were finishing each others sentences, but a lot of finishing only implied sentences.

The Miles Bootleg Series has been excellent!

http://www.youtube.com/watch?v=xLXwEmSs0oQ

http://www.youtube.com/watch?v=Y55pjxb4JHA
Miles Bootleg 2, is two nights in summer of 1969 with the" Lost Quintet",prior to Bitches Brew and two shows after the recording of Bitches Brew. The sound is not as good as Bootleg one, but a fasinating transitional time, with the previously unrecorded band.

Before BB.
http://www.youtube.com/watch?v=sayOJKN6yuo

After BB..
http://www.youtube.com/watch?v=Efi1qLzDQlI
Frogman, the link wouldn't work on my main computer, but somehow works on my iPad. How weird .

Yes, I love that Corea recording! I have had Return to Forever "Musicmagic" in high rotation for a few weeks.

What cartridge are you using, or have you gone digital?
Rok, People do a lot of stupid things "all the time". That's why I try not to.

I will keep posting different great jazz from the 70's,just so you can talk about their bad clothing choices.