Its not vinyl


I have read 100’s of discussions on the subject of building a streaming digital option for audiophile systems. Everything from the internet connection to the streaming source and then the dac. In my reading through the posts the argument will quickly turn to its not analog, vinyl is better, on the anti streaming side and then on the pro streaming side posters will fed the argument with its almost as good as my phono stage, sounds better than analog. This will even hold true within the dac manufactures and dac owners who will refer to their dac sound as analog sounding or just like phono. I think this is most referenced in the R2R dac category. I started a discussion on the new Gustard R26 which is a discrete R2R ladder dac. Right away I was confronted with “why do you want to spend the money to replace your phono analog end that you already have and sounds great”?  I  Replied with the usual “phono does sound better, even a $30,000 dac will never beat analog and all the other analog vs digital talking points”. Then it hit me that we have been arguing this wrong all this time. The argument should be that the quest in putting together a top notch streaming digital setup is not a quest to beat analog or beat phono. The quest and objective is to achieve a “ less digital sound”. We all know that sharp, bright  razor blades in my bleeding ears sterile digital sound, that will bring in-listener fatigue and quickly want you turning off the music. What I am reiterating here is that the quest the cost and the journey in digital is not to beat analog it is to beat “digital”.

sgreg1

Showing 1 response by blisshifi

Really great thought here, and you are absolutely right. I probably sound like a broken record (pun intended) but what we are all trying to beat is noise (from challenges in power delivery, and leaks due to poor isolation) and subpar timing/clocking challenges, which then renders the digital samples with less precision, resulting in imaging that is slightly out of focus (photography analogy there).

The delivery of digital and analog are very different, and there are qualities in each that are both worth appreciating and worth being frustrated about. And whether a person prefers one or another is purely subjective. In my case, my digital rig almost always eclipses my phono rig, except for a number of select masterings/pressings that are specifically created for vinyl. And from a retail standpoint, both rigs are almost head to head, between $60-70K each, so neither are slouches.

Digital has come a really long way in the last three years, and I’m excited to see how it continues to advance.