If it's all in your head why don't you just train your mind to respond to a crappy system the same way it would respond to a great system? A beautiful woman standing naked before you can make a man sexually aroused, but so can pornographic images. It's a learned response. Why even have a physical stimulus at all? Just think about the music and transport yourself to a higher plane.
It's All in Your Head
I commented in an earlier thread that the emphasis on components, cables and room treatments obscures the fact that the music all happens in your head.
This is from John Atkinson at RMAF 2012 reported on Stereophile:
"Stereophile editor John Atkinson used everything from a drumstick to a cowbell, both sounded “live” and played back on the seminar room’s stereo system, to convey the message: “Nothing is real. How the recording art affects what you think you hear!” As John proceeded to point out that the brain combines information from separate left and right loudspeakers into a single stereo image..."
"I showed that it is a fallacy to assume that “the absolute sound of live music in a real acoustic space” resides in the bits, pits, or grooves, even when such a live event existed. Making recordings is an art, not a science and there may only be a coincidental resemblance between what is presented to the listener and the sound of musicians playing live, even when all concerned with making the recording were trying to be as honest as possible. Even the fundamental decision of what microphone to use moves the recorded sound a long way from reality..."
What we aim for when we put an audio system together is a pleasing facsimile of the original musical performance that happened in a studio or at a live venue. But, ultimately, the music's all in your head. It sounds like it's in the room because that's the way our brain makes it seem. Music is essentially a spiritual experience mediated by the brain.
Systems that are not in the "best" category may reproduce music in a way that moves us but the "best" systems have the ability to involve us on even deeper emotional and spiritual levels.
Getting really close to the essence of the performance means we need "special" gear. That's what "gear chasing" is all about -- trying to get closer to the essence of the performance on deeper and more satisfying levels. "Gear chasing" that involves trying to reproduce the actual performance is an illusory pursuit. Many audiophiles have observed that the "best" systems are not necessarily the most expensive ones. This has also been my experience. But it will still take quite a bit of cash to put together a system that enters the realm of the "best".
All of the above is IMO, of course.
This is from John Atkinson at RMAF 2012 reported on Stereophile:
"Stereophile editor John Atkinson used everything from a drumstick to a cowbell, both sounded “live” and played back on the seminar room’s stereo system, to convey the message: “Nothing is real. How the recording art affects what you think you hear!” As John proceeded to point out that the brain combines information from separate left and right loudspeakers into a single stereo image..."
"I showed that it is a fallacy to assume that “the absolute sound of live music in a real acoustic space” resides in the bits, pits, or grooves, even when such a live event existed. Making recordings is an art, not a science and there may only be a coincidental resemblance between what is presented to the listener and the sound of musicians playing live, even when all concerned with making the recording were trying to be as honest as possible. Even the fundamental decision of what microphone to use moves the recorded sound a long way from reality..."
What we aim for when we put an audio system together is a pleasing facsimile of the original musical performance that happened in a studio or at a live venue. But, ultimately, the music's all in your head. It sounds like it's in the room because that's the way our brain makes it seem. Music is essentially a spiritual experience mediated by the brain.
Systems that are not in the "best" category may reproduce music in a way that moves us but the "best" systems have the ability to involve us on even deeper emotional and spiritual levels.
Getting really close to the essence of the performance means we need "special" gear. That's what "gear chasing" is all about -- trying to get closer to the essence of the performance on deeper and more satisfying levels. "Gear chasing" that involves trying to reproduce the actual performance is an illusory pursuit. Many audiophiles have observed that the "best" systems are not necessarily the most expensive ones. This has also been my experience. But it will still take quite a bit of cash to put together a system that enters the realm of the "best".
All of the above is IMO, of course.