Is unamplified music the gold standard?


ishkabibil
Sorry wrong link......will update...
@all...link is good.....

Sorry...

Thank *** for Paul.  
It seems to be by many. But not all live music is what I would call standard and there have been several times when I've gone to a concert, arrived back home, put a piece on and had my wife say, "that sounds as good or even better than what we heard."
@stevecham 



First off congrats on having a big fan of your sound system!

Forgive me if I am wrong but, you may have taken this post in a different context.
My take on it is the presenter is saying how we judge how good a speaker can replicate an instrument and when building a speaker what he seeks and if it can do well its a good measure on what it might do with other instruments.
So he is saying let's use the sound of a bowed Double Bass vs. an electric Fender Stratocaster guitar which has multiple potentiol nuances to its "sound".

Nope.

What you like to listen to at home is the gold standard. :)

Best,
E

The term High Fidelity was coined with the word "fidelity" meaning the sound of reproduced music was judged in relation to the sound of, at the time of the phrase’s coining, the live-performances that had been recorded. That was the standard that both J. Gordon Holt and Harry Pearson used in their evaluations of both recordings (Holt was a good recording engineer) and Hi-Fi gear.

But that 1st-generation Hi-Fi crowd (World War II and Korean war-aged) was followed and replaced by boomers (Vietnam war and later), whose music was almost-exclusively studio recorded. In that context, High Fidelity has somewhat less meaning and relevance. Fidelity to what? Rock ’n’ Roll and other Pop music is recorded to sound "good", not accurate in terms of fidelity to an original acoustic event.

Gordon dismissed the use of recordings of electric guitar as material with which to evaluate Hi-Fi gear, arguing that there is no way to know what the recording should like. Younger reviewers, including John Atkinson, himself a player of electric bass (which he mistakenly calls a bass guitar ;-), argue that the sound of a Les Paul into a Marshall amp has a very well-known sound, as does a Telecaster plugged into a fender Deluxe Reverb, and Fender Precision bass into an Ampeg SVT.

My gold standard is vocals and acoustic instruments such as piano, guitar, upright bass, mandolin, dobro, fiddle, drumset & cymbals, brass (sax, trumpet) etc. I've played in bands with many of the above, and know the sound of them well. Sheffield Labs direct-to-disk LP's come mighty close to the sound of live Pop music.