Is There Big Trouble Brewing?


It seems there is some trouble in the recorded music industry. Sales of recorded music has fallen 5% in 2001, 9% in 2002 and the global forecast is for a drop of 12-14% in the year 2003.

Regulators, especially in Europe have blocked mergers between companies including Universal, Sony, Warner, EMI and BMG, and seem to be holding firm on their positions. The music industry feels that consolidation may be the answer to many of their woes. I don't know if I can agree with this.

Do you remember when you purchased an album that contained 12 or so songs? Usually 70-80% of those songs were great recordings with quality content. Now if you find 10-20% of the recorded content to be of any quality you are doing well.

The recorded music industry likes to blame piracy and the world economy to be the culprit. Could it be the lack of quality in conjunction with out of proportion pricing? Many companies feel that format changes may provide the diversity for multiple income streams. Is that why they continue to introduce recycled music in the new formats?

I myself feel a great resentment towards the music industry. I am sick and tired of paying high prices for low quality and I'm sure many of you feel the same way. If the industry would like to see the new formats have a higher acceptance factor, don't you think they would do so by releasing new material on the newer formats?

I don't get it. Is there anyone out there willing to embrace the new formats so that they may listen to recordings that they have been listening to for the last 30 years? Will the industry ever wake up and realize that the consumer is disgusted with the bill of goods we are presently being sold?
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Showing 4 responses by lokie

I think apple is on to something with its ITunes site (http://www.apple.com/itunes/) . They sold one million songs at $.99/ea in their first week of operation. A buck a song seems reasonable to me. If the technology gets even more hifi I would spend a fortune at a site like this.
Seandtatlor99 I think your comment 'The other good news is that technology may allow more artists to bypass record companies altogether and market direct via the web' is the shining light at the end of this tunnel. Like other industries the internet will cut out the middle men. One positive effect, I foresee, will be a more diverse and "naturally" artistic product. What I mean by naturally is the absence of outside influences that the artist has to deal with. Two albums come to mind that captures the soul of the artist- Red Headed Stranger- Willie Nelson and Live at Blues Alley- Eva Cassidy. Had the fingerprints of the record companies been on these two albums I suspect that the magic one feels listening to these artist poring out their heart and souls would have been lost. All that said, lets just hope they can still afford good sound engineers.
When I was fifteen I had the choice between The Who, Stones, and Allmand Bros. etc. etc.. There was no fabrication with these bands like there is now. I don't want to come across anti business but I just think there is too much meddling in the artist end product. I think the artist they are choosing to promote have a different skill set (video oriented) than maybe some singer songwriters that are not being promoted. Ozfly I agree with you regarding smaller local studios. I live in Athens, Ga which has a thriving local music business that does a wonderful job of getting local and regional artist in front of the public, live and otherwise.

There will always be the Spice Girls of the World, which I can enjoy as much as anybody. I'm just not going to buy their cd but I will still buy an Allman Brothers CD. I think the internet is going to empower the artist so when that big distribution deal comes along they'll be in more control. And it gives the artist that the big labels are passing on a relatively cheap distribution vehicle.

Let me just add that, if history repeats itself then just take a look at the college scene if you want to see the future of pop music. It is just downright uncool for college kids to buy a cd. They want the bootleg live in Aspen String Cheese Incident. And so do I. It seems to me that SACD was made for live music. I'd buy those tomorrow if they would put out some good live stuff.
Wow, I cant' wait to sit down to dinner tonight and listen to an MP3 file and enjoy a nice bowl of soylent green