Is music quality moving away from the "audiophile"


I recently read an interesting post on the production of the new Metallica album and how its sound has been catered to the Ipod generation. Formatting the sound of the album toward the ipod itself. With computer downloads, mp3's etc, etc. it seems that "compression" over quality is becoming the norm.

In the Metallica example, I have been a fan since 84. Now, i know they are not a good example for the so called "audiophile", but that being said the production on this album is terrible. Actually, worse than their previous album St. Anger. Who makes the call on this? The band, engineer, record company? A combination of all?
zigonht

Showing 2 responses by chadeffect

There should be a distinction with the word compression here. There is dynamic compression and data compression.

Dynamic compression means that the signal being processed has an amount of automatic volume control applied. Depending on the settings (ratio/attack/threshold) this can be a wonderful thing bringing out detail and texture in the sound. Many of the recordings we know and love sound great because of this effect.

This should not be confused with limiting which again is an automatic volume control which stops peaks beyond a set threshold at set speed, hold and release. Again a great sound which can sound exciting and detailed when used correctly.

Data compression is another question and done after the recording process. Removing parts of the recording that a computer model decides is less crucial to human hearing.

Most people think of MP3s as terrible sounding, but if used at high band width is not too bad. Best not to use it on orchestral recordings or acoustic music though. It is just that most people want 100s of CDs on their Ipod, so they use low sample rates to fit all the data on the small hard drives. It is a shame. Quantity not quality.

There is no money in the music industry anymore for the people who make it. A lot of records are recorded at home or done cheaply as the music revenues are slipping into the wrong hands. Try getting your royalty from itunes. It is a joke. Record companies sold out their artists in the panic to sell downloads. The credit card companies get more % than the people that made the music, unless you are pink floyd or U2.

The high end studio equipment is better than it has ever been. The budget gear can be very good too. There is a huge choice in approaches to recording now. Unfortunately the market is swamped and music is becoming worthless to kids. Kids expect it for free on their cellphone.
Hevac1,
you are probably right. I would also say that an audiophile recording sounding good on many high end hifis is luck too!