Is Louder always Better?


i'm inclined to say yes.

first, context: you are not generating impedance mismatches when A/Bing gear, you have amps w/ more than enough power for your speakers / room (ie no clipping) and you haven't disconnected your tweeters (ala monster subs in cars) or sitting horribly off-axis.

the thing about home audio (digital particularly) is that as external noise is reduced, you are left w/ a purer signal--simple S/N ratio folks. generally, live instruments don't hurt your ears, but when a home rig does, i'd contend that its the noise riding on the signal, as its mostly concentrated on the upper mids thru treble, and this is where fatigue is generated (again, monster sub in car example for bass as non-fatiguing). the external & objectionable noise found in this frequency range determines final listening SPLs (the listener naturally arrives at a volume setting where the artifact noise doesn't cause overt fatigue). as noise is reduced, the final SPL level can be increased while generating no incremental listening fatigue.

but, at all volumes, it also implies greater microdetail & clarity (again higher S/N ratio), while also being more enjoyable---i consider those findings as evidence that 'louder is better' is a fine litmus test. if you make changes that result in your listening louder without your ears immediately objecting, you are highly likely listening to an improvement in home playback (given original context).

what is this getting at? external noise (aka Distortion) not only obscures micro-detail in the upper mids & treble, but it also causes listening fatigue and ultimately limits the volume you can listen comfortably at (ergo the thread title). i've found that external noise removal is a function of 3 efforts, all of which are equally important:
1) power conditioning
2) vibrations
3) room acoustics

(one visionary poster referred to them as the holy trinity of audio, i agree).

i figure i've put 10% of my audio budget into these 3, and it ultimately is the difference between a decent but disappointing rig, and a very satisfying one.

YMMV, but probably won't.
128x128rhyno

Showing 4 responses by charles1dad

In my experience as distortion is lowered and S/N ratio increases ,listening can be done at lower SPL levels and is very engaging and involving. There's less need for higher volume in order to enjoy music reproduction. True resolution reveals nuance and dynamic gradients/emotion at a lower listening volume. This improvement means cranking the sound is not needed for compensation due to lower resolution systems.better resolution means less volume is required.
Charles,
Larry
Yes, that's exactly my point and observation. Superior resolution induces lower listening levels due to improved intelligibility.
Charles,
I actually believe Larry, Al and I are in agreement. Lowering distortion thus improving resolution is an advantage in both directions of volume levels. You don't "need" to crank it up to hear nuance, detail and enhance one's engagement. On the other hand you can listen at louder levels with less strain or discomfort. I believe true natural resolution is an all positive proposition regardless of preferred listening levels. The end result is much more SPL flexibility
Charles,
Hi dentdog,
That’s a good question you asked. For  my genre of music  (predominantly jazz) and desired listening levels my 8 watt SET amplifier is ideal for me. I own a 100 watt PP amplifier  (mono blocks with 6550 tubes). This amplifier can ultimately go louder than the SET but this is a moot point,  the SET simply goes loud enough to satisfy my needs. 

Overall the 8 watt Frankenstein is just better (and more natural ) than my excellent PP amplifier despite its additional power. The Total Eclipses really sing with this SET.   As a result this fine PP amplifier has been collecting dust as it is in hibernation. However depending on what you may  want dentdog the more powerful amplifier may be your preference. The choice will clearly be determined by specific objectives /goal.
Charles,