I've worked on stage and in the studio in rock, blues and jazz. No studio recording sounds anything like a live performance no matter who's system is playing.
I have never heard any system that could re-create either a Hammond organ or an accoustic piano. Even the best recordings don't capture the transcients and overtones of a real instrument in a real room. Have someone bring in a trap set and play it in your room. I've never heard a system that could deliver that kind of attack and punch. Have a friend bring by a trumpet, sax, tuba, cello... hell, nearly anything including a kazoo and see if any of your recordings sound like the real thing.
With this in mind, I don't expect my system to sound "live". I do expect it to fill my room with the sound on the recording, capture my imagination and give me some emotional thrills. Sometimes I like to listen casually, sometimes I listen to detail, sometimes I like to rock the farm and sometimes we all just dance. My goal has always been to find gear and recordings that will do all of these well.
I may be in the minority, but I think music is about having a good time and playing with our emotions. Often, I think that the gear may be less important than the musicians and the recordings.
Recently, I sold off a very expensive system loosing many thousands in the process. I had listened to the sales hype, bought the flagship stuff and was stuck with a system that sounded descent on about 10 of my recordings. It never sounded real. The other 2,800 recordings I own sounded like shit. I returned to gear that thrilled me and I've haven't looked back.
I have never heard any system that could re-create either a Hammond organ or an accoustic piano. Even the best recordings don't capture the transcients and overtones of a real instrument in a real room. Have someone bring in a trap set and play it in your room. I've never heard a system that could deliver that kind of attack and punch. Have a friend bring by a trumpet, sax, tuba, cello... hell, nearly anything including a kazoo and see if any of your recordings sound like the real thing.
With this in mind, I don't expect my system to sound "live". I do expect it to fill my room with the sound on the recording, capture my imagination and give me some emotional thrills. Sometimes I like to listen casually, sometimes I listen to detail, sometimes I like to rock the farm and sometimes we all just dance. My goal has always been to find gear and recordings that will do all of these well.
I may be in the minority, but I think music is about having a good time and playing with our emotions. Often, I think that the gear may be less important than the musicians and the recordings.
Recently, I sold off a very expensive system loosing many thousands in the process. I had listened to the sales hype, bought the flagship stuff and was stuck with a system that sounded descent on about 10 of my recordings. It never sounded real. The other 2,800 recordings I own sounded like shit. I returned to gear that thrilled me and I've haven't looked back.