Is a tube preamp a good idea?

I'm interested in getting a tube preamp to match with my PS Audio HCA2. The idea is to mainly use it for music, but I also use it for TV and movies. It's generally on all day for satellite music as well as pre-recorded music and later at night for TV. With the extensive time of being powered up each day, is a tube pre a good idea or am I going to go through tubes like water? Thanks Goners for your insight.
Tubes are well suited to low level signal amplification, last a very long time, and they are not expensive. The output tubes of a power amp are responsible for the tubes reputation for short life and high cost.
Many tubes are rated for 10,000 hours. That's well over a year, if you never turn it off, so most likely you will get 3-5 years service from normal usage of 4-8 hours a day.
The main concern with tube equipment is heat, so don't use it inside an enclosed "entertainment center" cabinet.
One more word of caution. Long tube life depends on design margins. Some preamps are designed "on the edge" or beyond. I won't mention names... Just ask around...

I am a huge proponent of a tube line stage to get the harmonic richness, volume of space, decays, etc., from the music of top-flight LP and CD sources. For broadcast music, the tuner may not have the ability to push this out to make it worthwhile. For movies (music concerts not included), it is a non-issue.

Keeping a tube product on all day and everyday will indeed be costly with tube replacement. Turning the unit off during the night would help. So to answer your question, it comes down to the percentage of the time you are listening to music in the system AND if the capabilities that a tube line stage can often bring will be beneficial in your setup. It's impossible to know this as you did not list the rest of your system.

And one final comment: just because a product has tubes in its implementation does not imply that it will have the attributes I described above. There are many tubed line stages that I have heard that are sterile and lack a 3-dimensional presentation that we often associate with tube based products.

Eldartford is correct. It is a myth that leaving small-signal tube gear on 24/7 shortens tube life. I reprint here my response to a thread posing a similar question:

"Many people believe that tube gear using small signal tubes such as tube preamps and tube DAC's are best left on 24/7, this practice in fact lengthening tube life (and providing better sound). Quoting from the 'TIPS & ADVICE' section of the owner's manual to my VAC Rennaisance 140/140 Mk. III tube amps:

'How long should tubes last? It has long been known in professional circles (and probably now forgotten) that a tube such as the 12AX7 will display BETTER performance characteristics after TWO YEARS of CONTINUAL operation than when it was new. In normal use it is not unusual for a low level tube to last 5 years or longer. Output tubes [i.e., power tubes used in tube power amps] are another story, as they are continuously providing significant amounts of current.' (Emphasis original).

As for solid-state equipment, the most prevalent view (and I think the right view) is that running it 24/7 extends component life, and this, for the same reason that it is best to leave small signal tube gear on 24/7-- the heating up and cooling down that occurs as a result of turning a component on and off causes the internal componentry to expand and contract, compromising their physical integrity over time (it's basic physics). It is a settled point that leaving solid-state gear powered up improves the sound (many solid-state DAC's and solid-state power amps take two to four days to fully stablize). If you look through the threads with respect to solid-state equipment (and there must be 100 of them), there seems to be some consensus about these points.

As for tube gear and the threads, there are many, many people who report experiences that mirror mine (one thread in particular describes how an A-Gon member ran the infamous "tube-eating" Audible Illusions 3A preamp 24/7 for five years with the same set of tubes). I have had three tube preamps, a Jadis, a CAT and a Hovland, all of which I left on 24/7 (my CAT for three years straight), and I never lost a tube in any of them. Furthermore, they all sounded better with the "old tubes" than "fresher" tubes I substituted for comparison. I have an old Cal Audio Labs Sigma II DAC in my second system that I basically ran 24/7 for seven years and the original tube still sounds great. As for my tube amps, I tend to turn them on one or two nights a week during the week for after-work listening, and then on Saturday morning straight through to Sunday night to ensure top weekend performance and to keep the on/off (thermal) cycles to a minimum, this, as per the manufacturer's recommendation. Getting back to small signal tube gear (like tube preamps, tube DAC's, tube tuners, etc.), one of my dealers explains that, provided the component is left on 24/7, small signal tubes basically either die of "infant mortality" within the first 250 hours or so, or they last forever. The issue is probably moot anyway unless a person is using really expensive new-old-stock tubes, as it costs very little to retube a preamp or a DAC (rarely more than $100, and usually much less).

Of course, if one objects to leaving equipment on 24/7 for environmental reasons, that's another issue (those who do should probably buy mid-fi gear, as they are absolutely not getting the performance they paid for if they are running top-notch equipment cold)."

As a poster above mentioned, there are a few preamp designs that really stress signal tubes, but they are few. Most of the time, the best advice is to leave them on.
Thank you folks for clarification. I have always left my SS gear on 24/7. It's good to know (thank you Raquel) that I actually benefit from doing it with tubes (at least in a preamp or CD player). I am considering some incarnation of a Conrad-Johnson preamp. Armed with new info, I may take the plunge. Once again, you Goners are the best sources of information out there! Thanks,
I use a CJ Premier 17 and have to say, I turn it off when not in use. I don't hear much improvement with warm up and have concerns about energy use(I know, turning off my Pre Amp, aint going to save the planet). I think any of the premier series 10,14, 16, 17, will be all you ever need.
I don't know if any home audio equipment has these features but here are some simple things that are helpful with tube circuits.

1... Keep the tube filaments on at reduced voltage all the time.
2... Turn on the filaments before plate voltage is applied.
3... Bring the plate voltage up slowly.

These are pretty simple to implement, and would make a good marketing point.
I have recently purchased an entirely new/old dream-system, (a very OLD dream I might add), based on components that were unobtainable on my budget 25 years ago. Call it "Vintage Rothchild on a Beer budget" audio, as I'm quite content with 2 channel, (for now), and untill I understand more of what's transpired in the last 2 decades, I have a firm footing on familiar ground.
My Audiogon purchases have been a tube Dynaco PAS 2/3, to feed a pair of SS Marantz MA-5 mono amps.
This leaves the "Duh" question of how to set everything to optimum preformance.
From what I'm hearing, I really need to let it all simmer for a coupple of days, (at least 4) and give the analog gear a chance to get well aquainted.
They are driving a pair of Dahlquist DQ-10, and based on the preliminary excursions so far, I'm impressed with these fugitives from the Smithsonian.
So "on" is OK? (We ARE talking about good/checked-out/full of T.L.C. gear from Goner's, here).
Thanks, any and all opinions, please!