I'm not all in on digital systems because I'm not all in on DACs


We were lucky to have the makers of the @Arion1 speaker line join us in another conversation.  One of the points the rep made was he didn't understand what the problem was with digital among audiophiles. 

I am in many ways a digital music guy.  I have no vinyl and use Roon for all of my playback but this all stops when it leaves my Mytek DAC.  I've taken a great deal of care in selecting my integrated amplifier, and my speakers and how they are configured.  I rely heavily on OmniMic and Roon's DSP before the DAC... so why won't I just let go and go 100% digital?  Why don't I use digital crossovers after my preamp and convert my system to fully active?

The answer is in a series of experiences I've had with digital playback.  DAC's can sound wildly different.  I'm staring at two right now.  A Topping DX3 and a Mytek Brooklyn.  One sounds thin and lacking energy and bass while the other sound really good.

The same thing happened to me when I was trying to upgrade from my Theta Casanova.  I was looking for a processor that was HDMI friendly and inexpensive.  I went through a number of them which had the same problem:  Thin and gutless until I got an Oppo BluRay player which sounded better than all of them.  Sadly the Oppo DAC/headphone amp was a horrible ear drill to my ears.

So I'm not against digital signal processing or DACs, but within my budget I'm not willing to give up control over the sound of my DAC to a new crossover in the chain without listening.

What are your thoughts?

erik_squires

Showing 6 responses by erik_squires

Thanks for the information on DEQX!

I'm afraid they are a little rich for rmy blood and I'll have to stick to miniDSP for a long while.  They do have some with purely digital paths.

@jonwatches1 I have to agree with a lot of what you typed.

I know there was a big jump in performance for RedBook audio around 2000-2005, later I found out there was a change to .... something something capacitive coupled DAC’s which greatly reduced jitter and I attributed it to that.

 

As I read my own writing and think about what it is I’m not willing to give up it’s control and having my hands in the guts of my system. I like being an active participant. Let’s say I were to evaluate an all in one package, that went from streamer to speaker. I feel like I give up so much engagement in my hobby. I mean, sure it could even be better sounding than anything I’d put together with separates, that’s for sure, but there’s pride and connection and affection that I’d be losing along with it and that’s really at the emotional core of my decision making.

I'm sure if I was a well-heeled music lover, say a movie producer, getting into the dirt would not be the fun part.  Having a great sounding bleeding edge system from Arion that integrates with my home automation and security system would be all the satisfaction I needed. 

Not to say you can get DACs and amps, preamps that add distortion and coloration but I dont bother with such lousy measuring gear.

 

I wish my experience was that consistent. It’s not. I’ve listened to DAC’s all over the price spectrum. I have a Mytek Brooklyn and a Topping DX3 sitting side by side in my living room. I only use the Mytek for music. The Topping was out to see if I had an issue measuring but while it's out I tried it for music to see if my memory of the previous comparison held.  It did.  It does not sound as good. Just does not.  This sucks for me trying to buy a cheap HT processor.  

I repeat what I’ve said before, measuring DAC’s isnt’ science it’s quality assurance. If you want to claim you are doing science then do research and discover something new. Don’t just stop and say "we made up these measurements 20 years ago and that is all there is." To further take those old measurements and ascribe them to audio quality or desirability is further, unscientific folly. 

Erik, how familiar are you with DEQX? Also, which model of OPPO did you listen to in your system?

 

Never heard them. I believe I have the Oppo 103. Not the top of the line, but still the quality of the sound that came out of it, feeding a Parasound P7 was outstanding.

It’s also worth pointing out that there’s no DAC, no digital to analog conversion, taking place inside the SU-R1000. Incoming digital signals are upsampled

 

Ok, now they are really splitting hairs.

1 - This applies only to incoming digital signals.

2 - The output stage IS a DAC.

From what I can see, Technics is using a PWM output with feed-forward built into the DSP engine.

Maybe there is feedback on the output as well, but I haven’t heard anything about that portion.

A real shame that after all that work it doesn't actually measure a lot better.