I have had the same tubed amp (ARC VT100 MKII) that Woodburger has but when I auditioned the H20 in my system it sounded better than my VT100 with a more harmonically rich midrange---something I found hard to believe with a non-tubed amplifier. I never thought that I could live without a tubed amp as I've auditioned Mark Levinson, Krell, and McCormack SS amps in my system and none could match my tubed amp in the area of midrange. The H20 impressed me so much that I bought one and sold my tubed amp. I recently had my Audio Research Reference 2 tubed preamp modified by Great Northern Sound which resulted in an even more impressive sound with the H20 in my system with ProAc D80 speakers.
How would you describe your class D amp's sound?
I'd like to hear from owners of module powered amps. There are several makers of modules, and even more designs around the use of them. Some people may know these amps by the misnomer, digital amps. Most aren't the same. Class D amps are analog. The use of the letter D merely is due to it's the next letter on the alphabet.
Some class D module makers are: Tripath, Nuforce, B&O, Panasonic, Sony, Sharp, and others.
So... How does your amp sound - lows, mids, highs, depth, width, dynamics. micro-dynamics, and clarity?
Some class D module makers are: Tripath, Nuforce, B&O, Panasonic, Sony, Sharp, and others.
So... How does your amp sound - lows, mids, highs, depth, width, dynamics. micro-dynamics, and clarity?