How to set SRA after determining true vertical?


Here is a picture of a stylus with zero rake angle:

http://members.cox.net/nsgarch/SRA@%200.0%20deg.jpg

Since all modern styli are symmetrical in the x and y plane about the verical z axis, the tapered stylus and its reflection will make a perfect "X" when vertical (z axis perpendicular to the groove) and viewed from the side.

This condition is established by raising or lowering the tonearm pivot post. Once you find this point, and assuming you have a typical 9" tonearm (about 230 mm from pivot to stylus) then each 4 mm you raise the post from the zero
SRA point will apply one degrewe of SRA to the stylus.

A test setup is shown in these two pics:

http://members.cox.net/nsgarch/SRA%20setup1.jpg
http://members.cox.net/nsgarch/SRA%20setup2.jpg

Equipment includes:

a mini Mag-Lite flashlite,
a first surface mirror from old SLR cameras -- easy to find at photo repair shop)
a 50X pocket microscope
bean bags

Don't forget to first remove antiskate and set VTF.

.
128x128nsgarch

Showing 2 responses by thekong

Wow, this thread is really full of important information. Related to this topic, I have recently heard of a “theory” from my friend that I have never heard before, and I am kind of skeptical about it. So, I think this is the place to find out the answer. Since I am a bit confused, please bear with me. His “theory” goes like this:

1, Due to the different cutting angles used by different labels (and the cutting lathe they used), Decca, EMI, etc., you will need different SRA/VTA to play the different labels of LP.

2, Different cartridge makers manufacture their cartridges with different build-in VTA (he said something like 20 degrees and 22 degrees). As such, to have a perfect playback, you need to match the cartridge (with it’s build-in VTA) to the record labels. For example, say an Ortofon, with 20 degrees build-in VTA, will fit the Decca, and another brand of cartridge, say a Clearaudio, with 22 degrees of build-in VTA, will fit the EMI etc.

3, As such, you’ll need at least 2 cartridges to ideally/accurately playback the different labels.

I am very skeptical of this “theory”, and I think this forum is the perfect place to ask whether there is any truth to it.

Thank in advance

Michael
Dear Doug, Gregm,

Base on what I understand from your answers, it is the SRA that is important, not the VTA (of course, the SRA and VTA are interrelated). As long as you can adjust the SRA to fit the angle of the cutting heads, it would be ok. So, any cartridge (no matter whether it has a build-in VTA of 20 degrees or 22 degrees) can be adjusted to fit any cutting angle. Am I correct?

Now, my friend’s “theory” actual goes one step further, which I have hinted but didn’t really state out clearly in my original question. It goes like this:

Going back to my original example “say an Ortofon, with 20 degrees build-in VTA, will fit the Decca, and another brand of cartridge, say a Clearaudio, with 22 degrees of build-in VTA, will fit the EMI etc.”, his theory is that with a Decca LP, an Ortofon (due to the fit of it’s build in VTA) will always sounds better than a Clearaudio no matter how you adjust the arm/cartridge (even if you adjust the SRA/VTA for individual records), assuming the cartridges are in a similar price range. And vice versa, an EMI LP will always sound better with a Clearaudio. So, if you want to ideally play back all the LPs, you will need one cartridge with a 20 degrees build-in VTA, and another one with 22 degrees build-in VTA.

Well, based on the answers I got from you guys, I guess this theory is false.

Thanks again,

Michael