Piano is very hard to record so it sounds natural, as Jax2 says. Close-miking gets half of it; miking back gets the other half; using both compromises imaging. If the engineer does get it right, it is, as others say, very hard to reproduce naturally.
My favourite piano system involved SET tube amplification and large horns (Loth-X Polaris). It was the only system I'd ever heard get attack and dynamics nearly right as well as timbre.
My favourite piano system involved SET tube amplification and large horns (Loth-X Polaris). It was the only system I'd ever heard get attack and dynamics nearly right as well as timbre.