How do you know what you're missing?


Without listening to better systems than your own, how do you go about targeting what to improve? How do you know what is possible? It's a case of you don't know what you don't know. I get that indistinguishable from live is the definition of high fidelity, but I don't see that as a realistic aspiration without a dedicated built to spec room and a few orders of magnitude more expensive gear.

Reading reviews or forums can't possibly educate as well as demonstration. "Writing about music is like dancing about architecture," applies to the hardware as well as the media. I've isolated myself for many years prior to current circumstances. I can't remember the last time I actually went and listened to someone else's system. For that matter it's been years since I heard live music, too. (I don't count serenading the cat at home.)

Is it a case of you'll know it when you see it? Is this not a common problem? Or do you just not know it is a problem?
cat_doorman

Showing 1 response by mahgister

Almost all audio system are never listened to their potential maximum S.Q. by their owner that will never know what they are able to give....

Simple, learn to embed your audio system in the mechanical dimension, in the electrical noise floor of your house, and in the acoustical dimension of the room...

After that most upgrade would become less tentative and often useless if your audio system parts were wisely choosen to begin with...

Upgrading is half the time a reflection of our ignorance about our actual own audio system...

My system value is 500 bucks, upgrading it will cost me too much (more than 10.000) because it is so well embedded now, and anyway i am now happy with it....

Are you able to listen to 9th Bruckner symphony and able to hears all orchestral details and instruments timbre? If yes, your audio system is well embedded and wisely choosen....

Audiophile experience may cost peanuts if you learn how to embed your system.....