High Performance Audio - The End?


Steve Guttenberg recently posted on his audiophiliac channel what might be an iconoclastic video.

Steve attempts to crystallise the somewhat nebulous feeling that climbing the ladder to the high-end might be a counter productive endeavour. 

This will be seen in many high- end quarters as heretical talk, possibly even blasphemous.
Steve might even risk bring excommunicated. However, there can be no denying that the vast quantity of popular music that we listen to is not particularly well recorded.

Steve's point, and it's one I've seen mentioned many times previously at shows and demos, is that better more revealing systems will often only serve to make most recordings sound worse. 

There is no doubt that this does happen, but the exact point will depend upon the listeners preference. Let's say for example that it might happen a lot earlier for fans of punk, rap, techno and pop.

Does this call into question almost everything we are trying to ultimately attain?

Could this be audio's equivalent of Martin Luther's 1517 posting of The Ninety-Five theses at Wittenberg?

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Can your Audio System be too Transparent?

Steve Guttenberg 19.08.20

https://youtu.be/6-V5Z6vHEbA

cd318

Showing 3 responses by soix

Then you're not doing it right. Don't blame the recordings. My system is so revealing no two recordings sound the same. The differences between them all is clear and easy to hear. They are all enjoyable.
Sure, lower your standards enough and everything sounds just peachy. 


there can be no denying that the vast quantity of popular music that we listen to is not particularly well recorded.
That’s been the case for as long as I’ve been alive. People who only listen to pop music mostly just listen for fun and don’t really care about sound quality that much, so the stuff is mixed to sound good on a Boombox, crappy earbuds, or stock car radio. That was as true in the 70s as it is today and so I fail to see the point. There will always be a population that cares about making and listening to good and well-recorded music, and thus there will always be equipment made to play it back as faithfully and/or artfully as possible. To think otherwise is to me just an exercise in rhetoric.

On the flip side, turntables are starting to become “cool” again, and bars where people can just sit and listen to well-recorded music on good systems were starting to catch on before the damn virus hit — the theory being that people are so inundated with being plugged in and always “on” that they’re starting to embrace ways to disconnect, slow down, and just be in their own heads for a moment. If that continues and more people get to experience what a decent system can actually do and for not all that much money, who knows? Maybe in a counterculture kinda way higher-end audio could experience a bit of a revival.
Listening further into bad recordings is not enjoyable IME — the warts just get easier to hear. Yes, there are some good pop recordings, but sadly not many. When I want to listen to poorly-recorded music I like, I just fire up my Bluetooth speaker or earbuds as I can more easily just enjoy it for what it’s worth without feeling like I’m chewing on tinfoil. Anyway, that’s how I deal with it.