I'm a big fan of the vintage Klipsch (Khorns and LaScalas - have owned 2 pairs of LaScalas both of which I modified). They are hard to beat as a pairing with low-powered SET amps, but definitely can be improved upon in many ways, especially the tweets. A few years ago moved out of my large workspace and started to condense my two systems into one. I use 9 watt 300B SET's also. I live in a small renovated tudor house. The room I listen in is similar in scale, but just a bit smaller than yours. I could not make the Klipsch speakers work in my space and my wife hated their size and appearance, and they were simply too large and overwhelming for the size of room I'm in (about 12X25, ceiling slopes from 8-12 feet - forced to setup on the long wall). So I searched for three years for a speaker that could satisfy me. I was spoiled by the speed and imaging of those horns in my studio. It is an excellent way to go, but can overwhelm a small space (yours is not as small as mine). I tried many different speakers and even different amps a few times. Of the speakers I did not like Zu Druids. Silverline Sonatina's were damn good, but didn't reach low enough. SR17's are great but not with SET. Galante Rhapsodys (or the larger version - I think Buckingham perhaps) worked very well, but are no longer made and don't know if driver replacements are available. Again, lows were lacking. Long story short; I've ended up settling on Coincident Super Eclipse III's and am delighted with those speakers. Lightening fast. Outstanding soundstage. Reach down real low (though I'd say on the MOST demanding of bass passages they DO show they could use just a bit more power - it is very rare, but it does occur in perhaps 1/100 recordings I enjoy). Anyway, I'd recommend them highly.
Good luck!
Good luck!