Help me understand "the swarm" in the broader audiophile world


I'm still fairly new out here and am curious about this Swarm thing. I've never owned a subwoofer but I find reading about them--placement, room treatments, nodes, the crawl, etc--fascinating. I'm interested in the concept of the Swarm and the DEBRA systems, and I have a very specific question. The few times I've been in high-end, audiophile stores and asked about the concept of the Swarm, I've tended to get some eye-rolling. They're selling single or paired subwoofers that individually often cost more and sometimes much more than a quartet of inexpensive, modest subs. The same thing can be said for many speaker companies that make both speakers and subs; it's not like I see Vandersteen embracing the use of four Sub 3's. 

My question is this: do in fact high-end stores embrace the concept of multiple, inexpensive subs? If not, cynicism aside, why not? Or why doesn't Vandersteen or JL or REL and so on design their own swarm? For those out here who love multiple subs, is it a niche thing? Is it a certain kind of sound that is appealing to certain ears? The true believers proselytize with such zeal that I find it intriguing and even convincing, and yet it's obviously a minority of listeners who do it, even those who have dedicated listening rooms. (I'm talking about the concept of four+ subs, mixed and matched, etc. I know plenty of folks who embrace two subs. And I may be wrong about all my assumptions here--really.)

Now, one favor, respectfully: I understand the concept and don't need to be convinced of why it's great. That's all over literally every post on this forum that mentions the word "sub." I'm really interested in why, as far as I can tell, stores and speaker companies (and maybe most audiophile review sites?) mostly don't go for it--and why, for that matter, many audiophiles don't either (putting aside the obvious reason of room limits). Other than room limitations, why would anyone buy a single JL or REL or Vandy sub when you could spend less and get ... the swarm? 


northman
It is very hard to overkill subwoofers. The larger the driver the lower the distortion all other parameters being equal. Certainly with more subwoofers you can get away with smaller drivers but still. The larger drivers require larger enclosures which may be a cosmetic problem. As Ralph implied the best place to put subwoofers is in a corner or against a wall for a number of reasons. The problem becomes timing them so that they are in phase with the satellites and the wavefront from the subs and satellites reaches you at the same time. This is not so easy. In trying to match satellites without a high pass filter ridiculously low cross out points are being used. It is easier to integrate a subwoofer with higher crossover points 100 to 125 Hz. It is much easier to hear when the drivers are in phase. This requires at least two subs and a 2 way crossover. I have not used random placement around the room so I really can not comment on that type of setup. My 4 subs are arranged symmetrically around the satellites. I use digital bass management and can change crossover points and delay on the run so I can hear the differences immediately which is a big help with setup. There are several units available now that do this. The result is that you can not tell there are subs in the system until a real low note comes along and I am matching subs to dipole ESLs
As several people have mentioned on this forum, rolling off the satellites lowers distortion in them and increases head room by as much as 10 dB. 
The " swarm" is actually and old term that was used to convince music lovers who were not happy with the sound of their system, in particular  the midrange which was so lacking in most speakers. To deflect away from that they, the manufactures, focused on the bass, which as most of us know or should realize by now is so difficult to reproduce in a three way box without screwing up the overall sound. So now the swarm is a way of placating our type A male designer to have gut wrenching bass from a speaker. A conspiracy yes. Has it convinced anyone, yes it has. Does it make your system sound better, well perhaps, the bass may improve but you will still not have that rich and satisfying midrange which is where the music is. 
@sounds_real_audio wrote:

"The " swarm" is actually an old term..."

Really?

I am not aware of the term "Swarm" being an "old term", as you claim. I began using it in 2006 as the name for my four-piece distributed multi-sub system. Were others using the term in this context before me?

"... that was used to convince music lovers who were not happy with the sound of their system, in particular the midrange which was so lacking in most speakers. To deflect away from that they, the manufacturers, focused on the bass... A conspiracy yes."

It sounds to me like you are saying that I am trying to deflect attention away from inadequacy in the midrange and convince music lovers to focus on the bass. And that this is a "conspiracy" on my part. (Though you did not call me out by name, I don’t see how you could be talking about anyone but me, since I’m the only manufacturer who uses the term "swarm".)

If I have misunderstood you, please clarify. I’d like to reply to your post, but first want to make sure I’m not misunderstanding you.  

Duke
as much as that which relates to added headroom; performance gains at a similar SPL compared to a smaller/less powerful system due to less cone movement and wattage put through the voice coils, and therefore less distortion and cleaner bass.
One obvious advantage is that with four subs for a given volume as opposed to two, each driver will have less excursion.
The " swarm" is actually and old term that was used to convince music lovers who were not happy with the sound of their system, in particular  the midrange which was so lacking in most speakers. 
Hm. That's a *new* one on me, if you get my drift. That term was not in use during the 1950s, 60s, 70s, 80s, 90s, or any of the 2000s until Duke came along and then he used it as a name rather than a term. When exactly was this term used as you imply??

I'm also interested in the 'conspiracy theory' that was proposed elsewhere in the same post of the quote above. Most conspiracy theories I've encountered recently are so much nonsense- 5G having something to do with Covid and so on... honestly, this theory about the swarm seems to be just as nutty!


sounds_real_audio:
" The " swarm" is actually and old term that was used to convince music lovers who were not happy with the sound of their system, in particular  the midrange which was so lacking in most speakers. To deflect away from that they, the manufactures, focused on the bass, which as most of us know or should realize by now is so difficult to reproduce in a three way box without screwing up the overall sound. So now the swarm is a way of placating our type A male designer to have gut wrenching bass from a speaker. A conspiracy yes. Has it convinced anyone, yes it has. Does it make your system sound better, well perhaps, the bass may improve but you will still not have that rich and satisfying midrange which is where the music is."
   
 Hello sra,
     While we're awaiting your expected response to Duke's post requesting clarification, I just wanted to interject a few comments of my own, regarding your statements in your most recent post from 9/22, all based on my personal experiences utilizing a 4-sub DBA system (the AK Debra complete kit system) in combination with a pair of Magnepan 3.7i main speakers.  
     The word "swarm" itself has likely been around, probably 1st in some ancient semitic form, about as long as humans developed language and continued to absentmindedly stumble across hives. The 1st time I recall encountering the word swarm, in reference to subs, was in 2015 when I read the Absolute Sound review of the Audio Kinesis Swarm distributed bass array (DBA) system linked to below:
https://www.theabsolutesound.com/articles/audiokinesis-swarm-subwoofer-system/
     
     In this context, Duke's recollection of selecting the word "Swarm" in 2006, to descriptively name his new four-piece distributed multi-sub system, seems to me to be the most sensible and logical origins of the term "swarm" in regards to sub usage, due to individuals subsequently and likely using the term "Swarm" to refer to the AK product specifically and the term"swarm" to refer to all four-piece distributed multi-sub systems in general.
     While I will take your word for it that it's very difficult to reproduce the bass in a three way box without screwing up the overall sound, even if a designer did manage to launch pristinely accurate bass, midrange and treble sound waves into a room from his ideal speaker creation, there's a high likelihood that these pristinely accurate sound waves will not be perceived as pristinely accurate bass, midrange and treble performance at the listening position due to two main factors:

1. The bass frequency sound waves are very long, have omnidirectional radiation patterns and behave very differently in any given room than the much shorter midrange and treble sound waves that have highly directional radiation patterns.
2. The bass, midrange and treble drivers are permanently attached in set positions in a typical three way box speaker cabinet and are incapable of being independently and separately positioned in the room, and in relation to the listening position, to optimize the perception of the complete audio spectrum along with good stereo imaging.

     I believe most individuals position their main speakers in the room, and in relation to the listening position, in order to optimize their perception of midrange and treble performance as well as stereo imaging performance. Due to factor#2 above, however, bass performance is typically unable to also be optimized and, as a result, individuals need to settle for compromized bass performance.
      In my opinion. the resolution of this non-optimization of bass performance at the listening position is the main justification for the intelligent positioning and configuration of one or more subs in the system and room. 
      I believe a single sub is capable of achieving good bass perception performance at a single designated listening position but the addition of more subs makes this achievement not only progressively easier, based on my knowledge and personal experience, but also progressively better in quality; better bass power, dynamics, speed, smoothness, detail and integration with the main speakers. 
     I perceive the bass performance of my current Audio Kinesis Debra 4-sub DBA system as being near state of the art.  It's definitely the best sub bass system I've used to date in my room and system, however, I don't claim it's the absolute best bass system because I'm fairly certain a custom 4-sub DBA system, consisting of larger and even higher quality subs (either self-amplified or passive driven by a separate high quality sub amp and active crossover network), would significantly outperform it.
      Of course, this type of custom 4-sub DBA would also be significantly more expensive than a $3,000 AK Swarm or Debra complete 4-sub DBA kit.  I've also never auditioned a properly positioned and configured multi-sub line bass array (LBA?) or a multi-open baffle sub line or distributed bass array system which could possibly outperform the AK DBAs.

Tim