I am in the process of breaking the V-caps and they sound very fat and bloated, no space between the instruments for the first 100 hrs. I am at about 200 hours and they are now listenable, top end is better, and they are starting to sound different on every disc...to me the acid test. Before, the sound was very generic and the same...not good. They are neither warm or bright, they are just as the source is...neutral. I am using (4) .22/600V coupling caps and (2).47 600V caps. They are being compared to some custom styrenes, which up until now have been the reference I have heard. The v-caps must be heard to be believed. They are the real deal. Forget power cords, and resonance things until your caps are settled. Spending 2k on a cord when you could spend it on caps is not wise IMHO. Jallen
Help choosing coupling caps
I have an Audioprism Mantissa tubed linestage and have upgraded the caps to teflons (Chris V V caps) amazing sound and very revealing
I'm now thinking of changing the caps on my dodds. i'm looking at v caps once again however the cost and revealing nature of these caps may become "too much of a good thing" and perhaps I should look at a similar quality cap that errs a bit on the neutral/warm side of things
Anyone have experience using different caps in conjunction with Chris Teflons
i'm in process of gathering information at this time any relevant input is very much appreciated
I'm now thinking of changing the caps on my dodds. i'm looking at v caps once again however the cost and revealing nature of these caps may become "too much of a good thing" and perhaps I should look at a similar quality cap that errs a bit on the neutral/warm side of things
Anyone have experience using different caps in conjunction with Chris Teflons
i'm in process of gathering information at this time any relevant input is very much appreciated