This is a interesting post. When I was running my Sony PS-X555ES Linear Tracking Bio Tracer table (no antiskate) the balance was equal on my pre amp, the sound stage perfectly centered. I retired the Sony, purchased a Michell Gryo SE with SME V arm, and transfered my Benz Micro Glider over. As soon as I fired up this new rig, I noticed a difference in balance (sound stage) which I corrected by adding five points of volume to the right channel. It took me six hours to set up the Michell/SME so I hesitate to "putz" with the antiskate, since it is tied into and is suppose to be adjusted with the tracking force utilized. Any comments?
Harry Weisfeld Was Right All Along
I'll admit that I was skeptical when I heard Harry Weisfeld of VPI say that his JMW tonearm sounded better without any antiskating device a few years ago. All the arguments for antiskating compensation seemed plausible if not undeniable.
But today, I've seen the light. I own a Michell Orbe SE with a Wilson Benesch Act 0.5 arm and a Shelter 501 II cartridge. I dialed everything in, but still had the compunction to fiddle around with something so I removed the funky anti-skate weight from the WB. Not only does the arm behave much better (no annoying, backswing when indexing), but it actually sounds better to my ears. Smoother, more dynamic, less etched/more natural are the changes I hear. I wonder how many other arm/cartridge combinations would benefit from eschewing their anti-skate mechanisms.
While I originally thought that Harry Weisfeld was simply making excuses, in reality, he was probably just being honest. I'm sure the twisty-wire approach he now uses is a good way to implement anti-skating for those who must have it.
But today, I've seen the light. I own a Michell Orbe SE with a Wilson Benesch Act 0.5 arm and a Shelter 501 II cartridge. I dialed everything in, but still had the compunction to fiddle around with something so I removed the funky anti-skate weight from the WB. Not only does the arm behave much better (no annoying, backswing when indexing), but it actually sounds better to my ears. Smoother, more dynamic, less etched/more natural are the changes I hear. I wonder how many other arm/cartridge combinations would benefit from eschewing their anti-skate mechanisms.
While I originally thought that Harry Weisfeld was simply making excuses, in reality, he was probably just being honest. I'm sure the twisty-wire approach he now uses is a good way to implement anti-skating for those who must have it.