Harry Weisfeld Was Right All Along


I'll admit that I was skeptical when I heard Harry Weisfeld of VPI say that his JMW tonearm sounded better without any antiskating device a few years ago. All the arguments for antiskating compensation seemed plausible if not undeniable.

But today, I've seen the light. I own a Michell Orbe SE with a Wilson Benesch Act 0.5 arm and a Shelter 501 II cartridge. I dialed everything in, but still had the compunction to fiddle around with something so I removed the funky anti-skate weight from the WB. Not only does the arm behave much better (no annoying, backswing when indexing), but it actually sounds better to my ears. Smoother, more dynamic, less etched/more natural are the changes I hear. I wonder how many other arm/cartridge combinations would benefit from eschewing their anti-skate mechanisms.

While I originally thought that Harry Weisfeld was simply making excuses, in reality, he was probably just being honest. I'm sure the twisty-wire approach he now uses is a good way to implement anti-skating for those who must have it.
plato

Showing 1 response by eldartford

Skating force is only one of many critical adjustments necessary for a pivoting arm, most of which can only be optimized for one location on the LP. I finally decided that you can never get them all right, so I went to a linear tracking arm, which I find to be flawless.

Anti-skating force permits the pickup to track at a lower downforce setting. If you are willing to add a gram or so you can do without antiskating. Whether or not this causes greater wear depends on the quality and condition of the diamond.