Don’t panic,the sibilance is real:)It’s not harsh on my system at all,just naturally occurring.I perceive the drums just left of center though.But my room is different of course.It really is a beautiful recording because it’s so dreamy and atmospheric.This is a fun thread!
***GROUP PARTICIPATION***SYSTEM CRITIC & COMPARE***
I’ve had this idea kicking around a while but never had time & couldn’t think of the right song to start it with...
The premise is this:Every week(7 full days)I will post a link to a song on Utube.I will provide my listening thoughts & hopefully Agoner’s will do the same based on their systems.I’m really hoping this takes off as I would love to see how my system & room compares..
The first song comes from what is widely hailed as one of the most beautiful recordings ever produced.Weather or not you agree is a different subject.I assume 90% of everyone reading this has heard of the record so I won’t go into much detail..What I find most interesting is that this tonally beautiful recording was Digiatlly based,
"according to recording engineer Peter J. Moore it was actually recorded on a Sony Betamax SL-2000 video cassette deck connected to a Sony PCM F-1 digital/analog convertor, using one single Calrec Ambisonic Microphone"...AMAZING,a mid 1980’s DAC & Freaking Beta Max hahahahahahah...
Sweet Jane is a languid remake of the Lou Reed hit that highlights Margo Timmins voice with 3 instrument support.I listened to the song about a dozen times..
When the song opens 2 things I notice right away is echo from the drum stick on the rim,way up iPAST where I have treated & killed all the echo,& the very slight distortion dialed into the guitar..
The band is close,I can see them from just about mic distance.Guitar to the left and sounds slightly lower than Margo.Drums offset back right,bass slightly ahead & farther right but close to the kit...Margo appears about 10’ back.
It’s hard to talk about the guitar as there isn’t much to say.It never calls attention to itself.The midrange purity of tone of finger strummed metal strings yields loads of string detail as the fingers slide across.
The bass is also low key.Good depth & tone but I swear sometimes it has a very very slight Sennheiser veil.I have a feeling the bass amp was partially obscured at times because as the vocals shift with Timmins movement bass texture becomes cleaner & clearer.
And last but not least Margo Timmins vocals.Right away I hear bad sibilance!Oh god I hope this is in the recording.It must be because "T’s"are perfect & I never heard it before..It is in the recording isn’t it(finger crossed)...The most striking thing to me is Margot’s middle & lower registers,OMG the midrange papability here is off the charts...
So that’s it boys & girls.Hope you play along..https://youtu.be/Fa9nN3G2CSg
The premise is this:Every week(7 full days)I will post a link to a song on Utube.I will provide my listening thoughts & hopefully Agoner’s will do the same based on their systems.I’m really hoping this takes off as I would love to see how my system & room compares..
The first song comes from what is widely hailed as one of the most beautiful recordings ever produced.Weather or not you agree is a different subject.I assume 90% of everyone reading this has heard of the record so I won’t go into much detail..What I find most interesting is that this tonally beautiful recording was Digiatlly based,
"according to recording engineer Peter J. Moore it was actually recorded on a Sony Betamax SL-2000 video cassette deck connected to a Sony PCM F-1 digital/analog convertor, using one single Calrec Ambisonic Microphone"...AMAZING,a mid 1980’s DAC & Freaking Beta Max hahahahahahah...
Sweet Jane is a languid remake of the Lou Reed hit that highlights Margo Timmins voice with 3 instrument support.I listened to the song about a dozen times..
When the song opens 2 things I notice right away is echo from the drum stick on the rim,way up iPAST where I have treated & killed all the echo,& the very slight distortion dialed into the guitar..
The band is close,I can see them from just about mic distance.Guitar to the left and sounds slightly lower than Margo.Drums offset back right,bass slightly ahead & farther right but close to the kit...Margo appears about 10’ back.
It’s hard to talk about the guitar as there isn’t much to say.It never calls attention to itself.The midrange purity of tone of finger strummed metal strings yields loads of string detail as the fingers slide across.
The bass is also low key.Good depth & tone but I swear sometimes it has a very very slight Sennheiser veil.I have a feeling the bass amp was partially obscured at times because as the vocals shift with Timmins movement bass texture becomes cleaner & clearer.
And last but not least Margo Timmins vocals.Right away I hear bad sibilance!Oh god I hope this is in the recording.It must be because "T’s"are perfect & I never heard it before..It is in the recording isn’t it(finger crossed)...The most striking thing to me is Margot’s middle & lower registers,OMG the midrange papability here is off the charts...
So that’s it boys & girls.Hope you play along..https://youtu.be/Fa9nN3G2CSg
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