great vinyl sound cost as much as great cd sound


Hi,

I have emmlabs dac and line preamp which is one of the best digital sources out there.

I was wondering if I wanted an analog vinyl source which rivals my digital system would it be equally costly.

At this point my vinyl budget would be limited to $2,500. Can I get a good phono preamp to connect to my line emmlabs preamp and a turntable for that amount and not find that my top of line cd source sounds far better.

If so what pairing of preamp phono and turntable would you recommend.

VPI scout and ? perhaps
128x128karmapolice

Showing 2 responses by jdaniel18ee

To Markd51:

OK, let me rephrase then: cleaning records is a must, if you want CD-quiet sound, (providing the Lp was well-taken care of to begin with. I've done it both ways, by hand and now by machine; doing it by hand was a pain in the..., but to each his own. Of course, one may buy any record cleaning machine he wants, it doesn't have to be a VPI.
Some would argue that rotating a brush around a record without vacuuming (sp) just rotates around the particulates.
If I spent that much on a digital rig, I woundn't want to know that vinyl was better, lol. Seriously:

Maybe I'm ignorant in the realm of high$$$ esoteric digital playback, but it took literally *seconds* to hear that vinyl was better than any digital rig up to $3500 I've heard in my home, with qualifications. I have a VPI Scoutmaster with Dynavector 20xL, a MuFi A308 Amp with inboard phono stage, Vandy 3A sigs, and Audioquest cables with the little battery packs. I also sprung for the VPI record cleaning machine, an absolute must.

To be precise, I only listen to used Classical, which tends to be better pressed,mastered and better handled. People typically condescendingly refer to vinyl as "laid back" and "warm," which is true, but it's more than that: what stunned me right off was the front to back space, the sense of a hall, (environmental cues), the quickness, the detangling and clarity of textures, such as simultaneously plucked low harp and string bass, and--for the most part--the explosive dynamic range, even on good recordings back to '58. With the record cleaning machine, about 98% of my records are CD quiet. For the first time I've listened to the vinyl counterparts of CDs I've owned since the '80's and heard things I've never heard previously. Shostakovich sounds like a different composer. Solti breaths more.

To be fair to PCM, I've been delighted to find that digital records sound better than their CD counterparts as well, esp. the early London/Deccas. Digital Lps were pressed up until '88 as far as I've found.

I earnestly urge you to take a listen to vinyl if you like Classical. I can't speak for pressings and recordings of other genres, so I won't. I've never enjoyed my music more, and I haven't even purchased an outboard phono stage yet.