@lewm
I’ve come across the article from 1985, the LC-OFC invented in 1975, then Grace went out of business by the late 80’s, but Audio-Technica is still in business and none of their top models have coil wire lower than OCC grade today, which is better than earlier OFC and LC-OFC. As you can see it’s important for modern cartridge manufacturer, but maybe not important for you?
In 1985, Professor Ohno, from the Chiba Institute of Technology invented Ohno Continuous Casting copper (OCC copper) and this is Audio-Technica standard since that day!
Here is a fresh article if you want to read.
The different conductor types typically used in audio applications. Oxygen free copper was developed in Japan around 1975 as it became increasingly apparent that sound quality was related to the quality of copper and the processing used during cable manufacture. Also around 1975, Hitachi developed their own method for reducing grain or crystal boundaries. Linear Crystal-Oxygen Free Copper (LC-OFC) is Hitachi’s patented process and their exclusive product. After extrusion, the copper wire is re-heated, or annealed, which reduces impurities between the crystal boundaries as the copper crystal grows and leads to a longer grain length. A typical crystal (or grain) in a 1mm diameter LC-OFC conductor is 130 mm long compared to only 4mm (typically) long in TPC or OFC conductors.
Phono cartridge coil wire material is extremely important for the sound quality, always look for LC-OFC or OCC if you want the best!
I am not a fan of Silver Coil wire, but it does make a huge different compared to Copper Coil.
Personally i have compared not only MM with different coil wire, but also LOMC like various Ortofon SPU and the best sounding one was the SPU Spirit with extremely rare 8N Copper Wire.
It’s funny to read a comment that coil wire is not so important from people who’s buying short headshell lead wires just because they are silver, or rewire every tonearm like our Mexican friend.
F-9 Ruby is nothing special, just an overpriced old cartridge with elliptical profile. When i am talking about exotic cantilevers they are paired with exotic diamonds too (not elliptical) when we’re talking about Grace LEVEL II or F12 or F14 models.
I don’t care about refurbished cartridges, they have no value for me.
My passion is original design only.
For those who prefer SoundSmith cantilevers and diamonds for the Grace MM i would recommend to use them with Grace LC-OFC generators for the best result, those generators made only for F14 and LEVEL II (not for the F9). So the F9 is nowhere near the LC-OFC F14 or LEVEL II.
For the owners of the original Grace:
Once you upgrade to the F14 or LEVEL II you don’t want to go back to the F9, believe me. It’s natural progress, they did not just changed the numbers on their cartridgeы with no reason, they are entirely different cartridges with different LC-OFC coils, best cantilevers (Beryllium, Boron, Sapphire and even ceramic) and best diamonds (MicroRidge etc).
I’ve come across the article from 1985, the LC-OFC invented in 1975, then Grace went out of business by the late 80’s, but Audio-Technica is still in business and none of their top models have coil wire lower than OCC grade today, which is better than earlier OFC and LC-OFC. As you can see it’s important for modern cartridge manufacturer, but maybe not important for you?
In 1985, Professor Ohno, from the Chiba Institute of Technology invented Ohno Continuous Casting copper (OCC copper) and this is Audio-Technica standard since that day!
Here is a fresh article if you want to read.
The different conductor types typically used in audio applications. Oxygen free copper was developed in Japan around 1975 as it became increasingly apparent that sound quality was related to the quality of copper and the processing used during cable manufacture. Also around 1975, Hitachi developed their own method for reducing grain or crystal boundaries. Linear Crystal-Oxygen Free Copper (LC-OFC) is Hitachi’s patented process and their exclusive product. After extrusion, the copper wire is re-heated, or annealed, which reduces impurities between the crystal boundaries as the copper crystal grows and leads to a longer grain length. A typical crystal (or grain) in a 1mm diameter LC-OFC conductor is 130 mm long compared to only 4mm (typically) long in TPC or OFC conductors.
Phono cartridge coil wire material is extremely important for the sound quality, always look for LC-OFC or OCC if you want the best!
I am not a fan of Silver Coil wire, but it does make a huge different compared to Copper Coil.
Personally i have compared not only MM with different coil wire, but also LOMC like various Ortofon SPU and the best sounding one was the SPU Spirit with extremely rare 8N Copper Wire.
It’s funny to read a comment that coil wire is not so important from people who’s buying short headshell lead wires just because they are silver, or rewire every tonearm like our Mexican friend.
F-9 Ruby is nothing special, just an overpriced old cartridge with elliptical profile. When i am talking about exotic cantilevers they are paired with exotic diamonds too (not elliptical) when we’re talking about Grace LEVEL II or F12 or F14 models.
I don’t care about refurbished cartridges, they have no value for me.
My passion is original design only.
For those who prefer SoundSmith cantilevers and diamonds for the Grace MM i would recommend to use them with Grace LC-OFC generators for the best result, those generators made only for F14 and LEVEL II (not for the F9). So the F9 is nowhere near the LC-OFC F14 or LEVEL II.
For the owners of the original Grace:
Once you upgrade to the F14 or LEVEL II you don’t want to go back to the F9, believe me. It’s natural progress, they did not just changed the numbers on their cartridgeы with no reason, they are entirely different cartridges with different LC-OFC coils, best cantilevers (Beryllium, Boron, Sapphire and even ceramic) and best diamonds (MicroRidge etc).