I've finally hit the 200 hour mark on my Europas and the changes have been dramatic to say the least. Do not judge these speakers until you have at least 100 hours on them preferably with loud music, all types of music. At first the mids were a bit congested and the microdynamics a bit constrained, but after 100 hours the speakers really opened up with extremely clear and transparent mids. The ability of the speaker to play at low volumes after breakin is unsurpassed in my experience. The treble as stated is very smooth and airy with no hint of hardness or glare whatsoever. Subtle variations in cymbals and brushes are rendered very well. The bass is tight and fast and extends to the upper 40's in my room; I have a rel sub handling the low bass which integrates very well. What's also remarkable is they play very loudly without distortion or boxiness. The speakers are neither lean nor warm, they just sound right. I've listened to many fine speakers in the past 20 years and in my opinion the green mountains including the continuum 0.5 and C2 rank first in transparency, vocals, soundstaging especially depth, low level playing, microdynamic shadings, and most importantly in my opinion they are the most live sounding speakers I've heard. Other fine speakers such as the Merlins and Sonus Fabers sound warm and musical but in my opinion did not transport me to the studio. With the green mountains I actually feel that I'm in the studio or at the live event. When you consider the $900 price tag they are easily one of the best bargains out there. I have a $12,000 system with the green mountains being one of the least expensive components. Obviously they perform much better than their low price would suggest. I have no problem spending much more money on speakers but as I've said, they are the best monitors I've auditioned. I know many people have given these speakers excellent praise and I must concur. Of course these are just my opinions.
GMA Europas-first impressions
Well I've got about 60 hours on the Europas now and have had them about a week. They went into my modest system consisting of Nad C370 and 521I and a Sony powered sub. I'm just getting started in Hi Fi again after 20 years. Have previously owned Maggies (mg1's I think they were called), Klipsch horn knockoffs and Stax electrostatic headphones. So I thought I would get some nice clean sounding monitors and good stands and a new sub. Also wanted to investigate the phase/time coherence deal. I expected clear defined sound but was worried about brightness in my rather hard room.
Well I got clear defined sound aplenty and not even a hint of brightness from the Europas. The highs are sweet and delicate and can pull out details of old recordings I hadn't heard before. Today was listening to an old Cream song (yes I said Cream) and I was blown away to hear the articulate presentation of Ginger Baker's cymbal work from the next room. If anything the top end is gaining in open airy texture as time goes on.
I don't want to get into the time/phase coherence debate here but I did finally setup the speakers in an equalateral triangle as the GMA manual suggests. In my rather compromised listening room, this puts the speakers at 30 inches from the back wall. This helped with both the presence of vocals (really quite startling) and the bass response as well.
The bass has excellent definition and it is easy to track the acoustic bass tracking up and down a scale note by note.
I initially started using the sub with the Europas but I am now using them full range. They aren't going terribly low (6 inch drivers) but they are in the room and present on the bottom end. Here again I was playing Dave Brubeck Take Five and the drum solo in the middle of this piece just bounced out and hit the floor right between the amp and CD player. When the sax fell in, the air coming out of that horn was breathy and just plain scary.
So the Europas are clear and defined, delicate and present, but there's more. These babies are in sync with the dynamics of music. No analytical sound or theoretical disertation. The sound is big and room filling (12x22x8) and I believe they could easily handle a larger room than mine. The presentation is wide and deep and the dynamic peaks are surprisingly powerful. With the clarity they posess, the Europas maintain the background performers info all through those "stage front" dynamic peaks. They bring through the drama and emotion of the music. Man, that Brubeck piece just plain knocked me out!
This is a lot to get out of a pair of speakers that go for what 900 bucks a pair? I have Sound Anchors coming and that with more break in time should increase and open up the bottom end.
Thanks to Roy for the great job and to the Agoners that helped me find these great speakers.
Well I got clear defined sound aplenty and not even a hint of brightness from the Europas. The highs are sweet and delicate and can pull out details of old recordings I hadn't heard before. Today was listening to an old Cream song (yes I said Cream) and I was blown away to hear the articulate presentation of Ginger Baker's cymbal work from the next room. If anything the top end is gaining in open airy texture as time goes on.
I don't want to get into the time/phase coherence debate here but I did finally setup the speakers in an equalateral triangle as the GMA manual suggests. In my rather compromised listening room, this puts the speakers at 30 inches from the back wall. This helped with both the presence of vocals (really quite startling) and the bass response as well.
The bass has excellent definition and it is easy to track the acoustic bass tracking up and down a scale note by note.
I initially started using the sub with the Europas but I am now using them full range. They aren't going terribly low (6 inch drivers) but they are in the room and present on the bottom end. Here again I was playing Dave Brubeck Take Five and the drum solo in the middle of this piece just bounced out and hit the floor right between the amp and CD player. When the sax fell in, the air coming out of that horn was breathy and just plain scary.
So the Europas are clear and defined, delicate and present, but there's more. These babies are in sync with the dynamics of music. No analytical sound or theoretical disertation. The sound is big and room filling (12x22x8) and I believe they could easily handle a larger room than mine. The presentation is wide and deep and the dynamic peaks are surprisingly powerful. With the clarity they posess, the Europas maintain the background performers info all through those "stage front" dynamic peaks. They bring through the drama and emotion of the music. Man, that Brubeck piece just plain knocked me out!
This is a lot to get out of a pair of speakers that go for what 900 bucks a pair? I have Sound Anchors coming and that with more break in time should increase and open up the bottom end.
Thanks to Roy for the great job and to the Agoners that helped me find these great speakers.